Page 235 - Japanese marks and seals on pottery, paper and other objects.
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TOKIO PAINTING AND POTTERY.                  197
































                                       No, 470.

              The inscriptions numbered 467       to 470   appear   in relief
         upon   the   sides  of  a Flower    Basket  of  faience, made    at
         Imado, a   district  of  Tokio,  in  the  latter  part  of the  i8th
         century    they are one-fourth of the original size.  The inscrip-
                 ;
         tions,  read  from   the   upper   characters   of  each   column
         commencing with     those  to  the  right, and   concluding   with
         the  single  character  in  the upper part    of  the mark given
         above, run   as  follows  :  Kai-gen  ni-jiu-yo nen natsu sei-siio
         CHIOKU-SHI   Ko-rioku-shi TAMOO     SAI-SHIN haku-u-sen Kiu-rei
         AzuKARu yen tattsute       KEN-JIN iwAKu.      It  is  a  portion  of
         a  description  of  a  scene  at  the Chinese   Court  ;  In June,
         the summer   of  the 24th year of Kaigen,  the imperial messenger,
         Koriokushi,  brings  the fans  of  white feathers  to  the  ministers,
         among whom     ivas  Kiurei, and standing before them   he presents
         the  imperial  gifts, and  says     .  The   centre  inscription of
         No. 470   is  Tokishio, the name of the      Chinese scholar who
         wrote the phrase'";  the right-hand characters in the seal-mark
         are Sohaku, his professional name, and the left-hand characters
         are Gakushi, a title given to learned men.
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