Page 133 - 2021 March 16th Japanese and Korean Art, Christie's New York City
P. 133

Property from an Important Private Institution
          (LOTS 83–108)








           92 UTAGAWA                HIROSHIGE                (1797-1858)


               Kameido ume yashiki (Plum estate, Kameido)

               Woodblock print, from the series Meisho Edo
               hyakkei (One hundred views of Edo), signed
               Hiroshige ga, date sealed Snake 11 (1857, 11th
               month), published by Uoya Eikichi
               Vertical oban: 14¿ x 9Ω in. (35.9 x 24.1 cm.)

               $10,000-20,000


               Umeyashikiis the name of a plum garden on the bank of
               the Sumida River that drew large numbers of visitors to
               enjoy the view and scent of the blossoming trees in early
               spring. Hiroshige's striking design places the trunk and
               branches of a plum tree boldly in the foreground. The
               shape of this particular tree led to it becoming known as
               Resting Dragon Plum (Garyubai), because its branches
               grew so long they re-entered the earth. The viewer is
               obliged  to  look  through  the  branches  of  the  tree  and
               of those behind to see a group of visitors to the garden
               admiring the blossoms from behind a fence. The unusual
               and  dramatic  vantage  point  and  bold  use  of  color  are
               characteristics  that  inspired  19th-century  artists  such
               as Vincent van Gogh, Claude Monet and James McNeill
               Whistler  and  in  many  cases  dramatically  influenced
               their  work.  Another  impression  of  this  particular  print
               was acquired by van Gogh and inspired him to such an
               extent  that,  along  with  A  Sudden  Shower  over  Ohashi
               and Atake by Hiroshige, he produced his own version in
               oil, Flowering Plum Orchard (after Hiroshige), 1887, now
               in the Van Gogh Museum, Amsterdam.
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