Page 52 - 2021 March 16th Japanese and Korean Art, Christie's New York City
P. 52

32 AN       IRON        ARTICULATED                   SCULPTURE                 OF     AN     EAGLE

                                                                                                                                               EDO PERIOD (19TH CENTURY), SIGNED MYOCHIN KI MUNEAKI KORE SAKU (MADE
                                                                                                                                               BY MYOCHIN MUNEAKI)
                                                                                                                                               The iron eagle perched on rock stand,
                                                                                                                                               constructed of numerous hammered plates
                                                                                                                                               jointed inside the body, the beak opens,
                                                                                                                                               the neck, wings and claws move, the eyes
                                                                                                                                               embellished with gilt, the details of feathers
                                                                                                                                               finely chiseled, the incised signature on
                                                                                                                                               underside of tail feather
                                                                                                                                               31Ω in. (80 cm.) wide
                                                                                                                                               13¡ in. (34 cm.) high without stand; 24¡ in. (61.9 cm.) high with stand

                                                                                                                                               $40,000-60,000



                                                                                                                                               PROVENANCE:
                                                                                                                                               Acquired from José Antonio Torres, Barcelona circa 1971

                                                                                                                                               Ingenious  movable  sculptures  of  animals  are  the
                                                                                                                                               invention  of  Japanese  metalsmiths  trained  in  the
                                                                                                                                               manufacture of samurai armor. The Myochin family of
                                                                                                                                               armorers  is  credited  with  the  first  sculptures  of  this
                                                                                                                                               type  in  the  eighteenth  century.  In  relative  peacetime,
                                                                                                                                               the  demand  for  arms  and  armor,  except  for  display
                                                                                                                                               purposes, had slowed. To meet the changes in demand,
                                                                                                                                               the Myochin expanded their repertoire into metalwork
                                                                                                                                               of  a  decorative  and  symbolic  nature.  Some  see  these
                                                                                                                                               articulated models as the culmination of the armorer’s
                                                                                                                                               skill  and  imagination.  Known  as  jizai  okimono,  literally
                                                                                                                                               “free  display  objects”,  these  intricate  sculptures  are  a
                                                                                                                                               unique genre of Japanese sculptural art.

                                                                                                                                               The restoration of the Japanese emperor in 1868 and the
                                                                                                                                               dismantling  of  the  samurai  domains  further  impacted
                                                                                                                                               the  tradition  of  metalwork  in  place  by  the  fifteenth
                                                                                                                                               century. Rapid industrialization and Japan’s decision to   Totoya Hokkei (1780–1850). Hawk Made of Silk; Specialities of Karakiya in
                                                                                                                                                                                                       Kokucho. Japan. Edo period, 19th century. The Metropolitan Museum of Art, New
                                                                                                                                                                                                       York, Bequest of Mrs. H. O. Havemeyer, 1929, JP 2385
                                                                                                                                               compete economically on a world scale encouraged new
                                                                                                                                               artists and ateliers who had not trained in the Myochin
                                                                                                                                               school.  There  are  several  Myochin  family  artists  with
                                                                                                                                               the name Muneaki. The style of the work and signature
                                                                                                                                               suggest this work maybe the work by Myochin Muneaki
                                                                                                                                               from late Edo period who was descendant of Myochin
                                                                                                                                               Family retained for the Sakai Family of Himeji Province.
   47   48   49   50   51   52   53   54   55   56   57