Page 204 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
P. 204

i^                           THE CATALOGUE

                 YUKICHIRUYA (Case 14 and Plate XL 1544)
                    Iwanami Kizan, being fond of the tea-ceremony, learned the art of making Raku
                 pottery from Kichizayemon, who chanced to be in Suwa in 1840. A small oven was
                 built, and various forms of Raku were made for the tea-service.  His pieces were
                 signed with the written mark Yukichiruya, which was a poetical name of his house,
                 or with his pseudonym Tosd.
                 1542.  Tea-pot.  D. 2\ in.  Open nozzle, looped handle  opposite.  Modeled by hand.
                 Dark Raku clay, rich pinkish-fawn glaze splashed with
                 green.  Rim and knob gilded.  Yukichiruya (written).
                                                          1840
                 1543'  Round TEA-JAR, very thick.  H. if in.  Dark
                 brown clay, robin's-egg-blue glaze coarsely crackled.
                 Unsigned.                                1840
                 1 544-  Square box.  H. 4 in.  Four short legs at
                 corners  ;  flat pottery cover with square knob.  Coarse
                 brick-red Raku clay, thick white underglaze, thin light
                                                                     1542
                 green overglaze.  Biwa  fruit and  leaves  in  black,
                green, and yellow.  Toso tsukuru (written).  1840

                                                                                     '^'^^
                 TAKATO (Case 14)
                    In the village of Takato a common pottery has been made within thirty years
                which has some resemblance to Takatori.

                 1545'  Flower- HOLDER.  H.  sJ  in.  Dark reddish  clay,  dull brown  glaze with darker
                streaks.  Light fawn overglaze around neck, streaked with blue.  Rough surface.  1870


                 KIKKO (Case 14)
                    After working at his art in the province of Suo, Kikko moved to Susaka, in this
                province, in 1837, and made pottery quite unlike his former work. The only examples
                in the collection are two shallow dishes, one somewhat after Oribe style, the other
                with decoration of flowers.  The mark Kikko  is different from his Osaka, Suo, or
                Tokyo mark.

                 1546.  Shallow plate, with rim lapped over on four sides.  D. 7^^ in.  Light brown clay,
                thick light chocolate glaze below.  Inside, cream-colored overglaze running over rim, with
                 splashes of green glaze.  Decoration of grass in brown and  light red.  Heavy
                 spiral on bottom.  Kikko (imp.).                                 1837
                 1547.  Rectangular tray, comers beveled, broad flat rim.  L. 6^ in.  Light
                 fawn clay, thick white glaze, over-decoration of flowers, dragon, clouds, scrolls,
                 etc., in yellow, blue, green, and pink enamels outlined in black.  Kikko (imp.).
                                                                                  1837
   199   200   201   202   203   204   205   206   207   208   209