Page 213 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
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PROVINCE OF KII                               »39

              KAIRAKUYEN RAKU (Case 15)
                 Records from the Raku family show that RiySniu (ninth Raku) accompanied
              Zengoro Hozen when he was invited to Kii.  From the same source  I gathered the
              additional information that the prince of Kii gave to Tanniu (tenth Raku) a stamp with
              one form of Raku engraved upon  it.  The Raku signed Seinei is said to have been
              made by Tanniu.  The question arises as to which member of the Raku family made
              Raku pottery in the castle of Wakayama.
              1579  •  Tea-bowl, flattened on four sides.  D. \% in.  Rough light fawn clay, transparent
              underglaze.  Thick dark brown overglaze,  coarsely  pitted,  areas  of underglaze showing
              through.  Lines incised on sides.  Kairakuyen set and Raku (imp.).       1840
              1580.  Tea-bowl.  D.  4J  in.  Coarse gray  clay,  thick black Raku  glaze.  Seinei and
              crest of Tokugawa (imp.).                                                1840
              1581.  Shallow bowl.  D.  sf  in.  Coarse light pinkish-fawn  clay, thick  light reddish
              Raku glaze with greenish-yellow and whitish areas,
              coarsely crackled.  Seinei and crest of Tokugawa
              (imp.).                              1840
              X582.  Tea-bowl.  D. 4} in.  Fine fawn clay,
              light red Raku glaze showing whitish about rim.
              Kairakuyen sei and Ya (imp.).        1840
              1583-  Leaf- SHAPED  dish.  L.  7J  in.  Moulded,  Sides
              strongly scalloped.  Drab  clay.  Outside, dull ochre  glaze,
              lines incised.  Inside, shining overglaze.  Ya (imp.).  1840
              1584.  Incense-box.  D. 2% in.  Moulded in spiral.  Light
              buff clay, coarse orange-brown Raku glaze, olive -green  in
              portions.  Kairakuyen sei and scroll (imp.).   1840
              MEPPOTANI      (Case 15 and Plate XIII. 1588)

                 The oven was opened in the village of Meppotani in 1790 or thereabouts.  It is
              said that Mokubei, of Kyoto, and Heikichi, directed the character of the work, and
              later introduced the celadon glazes. A great variety of pottery was made, and the
              influence of Mokubei is seen in the moulded forms and rich brown glazes.  The work
              is in pure Japanese style, and forms an exceedingly interesting group of pottery.  The
              pieces are signed with the impressed, written, or incised mark Zuishi.
              1585-  Water-jar. H. 5! in. Drab clay, grayish-drab glaze strongly crackled,  Landscape
               with houses in brown.  Zuishi (imp.).               1700
                 Type Ninagawa.  Part VI., Fig. 29.
              1586.  Tea-bowl, irregular.  D. 5  in.  Hard light brownish clay,
              thick greenish-white glaze coarsely crackled.  Under-decoration of
              blue circles with greenish characters.  Strong basal ring notched.
              Zuishi (written in blue).
                                                                   1790
              1587'  Shallow dish, with snout.  D.  7J  in.  Thick and heavy.
              Coarse drab clay, thick white  glaze.  Over-decoration  of  flowers  1583  1586
              inside and out roughly drawn in red and green.  Zuishi (imp.).  1790
                 Mate to type Ninagawa.  Part VI., Fig. 30.
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