Page 239 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
P. 239

PROVINCE OF^mmio^^^                            157

              a large number of specimens the distinctive characters are difficult to sepa-
              rate.  The larger number of objects are without marks.     This is especially
              true of the older work, and here there is much uncertainty.   The following
              kinds may be defined. A gray Izumo, possessing the characters ascribed
              to Gombei's work, may be properly known as Gombei.         Gombei and his
              immediate successors were succeeded by Zenshiro, who left his ma.rk"Zen"
              upon his work, and the memory of this skilful potter and his successors should
              be perpetuated under the name of Zenshiro. A bright yellow glaze, varying
             with reddish-brown, or with both combined, may be known as Fujina.       Pot-
             tery, departing from the above forms, yet bearing the evidence of skill and
             age, and usually identified by the Japanese as Rakuzan, may be classified
             provisionally under this name.

             GOMBEI     (Case 17)
                 In the latter part of the seventeenth century the governor of Matsuye invited a
             potter from Hagi, Nagato, to establish an oven at Matsuye.  This potter was Gombei
             Kurisaki, pupil of the famous Korean potter Korizayemon.  Gombei brought with him
             clay and glazing material from Hagi.  Pieces attributed to Gombei closely resembling
             those of Hagi are rough with gray glaze, sometimes showing granules cracking through
             the glaze.  Gombei worked for eighteen years, and was succeeded by Hanroku Kada,
             and after him by his son.  The oven closed in 1695, and was again opened in  1 716 by
             Juyemon Nagaoka, who began the work of making tea-utensils after Korean models.
             Many of the pieces attributed to Gombei may have been made by his immediate
             successors, or by Nagaoka.

             1842.  Tea-bowl.  D. 5 in.  Rim slightly flaring.  Hard drab clay, gray glaze with pinkish
             areas, large white granules breaking through glaze.                      1680
             1843.  Jar.  H.  6J  in.  Light gray clay and glaze, rough surface.      1680
             1844.   Bowl.  D.  4I  in.  Lathe-marks vertical.  Brown clay, greenish-gray glaze, scrolls
             in black.                                                                1750

             1845.  Bowl.  D.  sJ  in.  Warm gray clay and glaze.  Roughly made.      1750
             1840.  Jar.  H. 4i in.  Gray-drab clay, smooth lustrous dark gray glaze.  *77o
             1847-  Tea-bowl.  D.  4J  in.  Roughly made.  Dark drab clay, warm gray glaze.  Under-
             decoration, rough designs of wheels, etc., in dark brown.                1770

             1848.   Hanging flower-holder.  H. 5!  in.  Elaborately modeled and carved in basket
             form.  Drab clay with brownish areas, warm gray glaze.                   1780
             1849.  Tea-bowl, irregular contour.  D.  5^^^ in.  Light brown clay, yellowish-brown glaze.
             Touch of white slip outside, brush of white inside.                      1780
                A remarkable form.
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