Page 412 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
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268                          THE CATALOGUE
                  KENZAN     (Case 31 and Plate XXI. 3765, 3766)
                     The work of Ogata Shinsho, or Kenzan, dates from the latter half of the seven-
                  teenth century to the early half of the eighteenth century.  He died in 1743 at the
                  age of eighty-three.  Kenzan made an enduring reputation as a potter and artist.
                  Korin, an elder brother, was equally famous, as attested by his lacquer-work and
                  paintings.  In some instances he decorated his brother's pottery.  (See Kenzan
                                                                                              ;
                  MusASHi.)  No signature has been so often forged as that of Kenzan  ; and spurious
                  Kenzan may be found in every stock and in every collection, not excepting the one of
                  which this is a catalogue.  Certain authorities state that there was only one genera-
                  tion of Kenzan  ; other authorities record a son and a grandson who made the same
                  kinds of pottery and used the same signature.  In Dr. Frank's catalogue, of his col-
                  lection lent to the Bethnal Green Museum (now in the British Museum), is recorded
                  a water-jar with the signature Kenzan Sandai Bunsei nensei.  Here we have men-
                  tioned Kenzan third and the year period Bunsei (1818 to 1830).  Ninagawa records
                  six generations of Kenzan, all, with the exception of the first, having lived in Yedo.
                  If this statement could be established many pieces signed Kenzan, though inferior to
                  the original Kenzan, might be regarded as genuine and referred to some of these
                  generations.  I have found it impossible, however, to make these distinctions.  Kenzan
                  had many pseudonyms. Among those attributed to him are Kenzan, Sansho, Shin-
                  sho, Ogata Sansho, Shinsaburo and Saburo, Shoko, Shuseido,  Shisiu,  Reikai, and
                  Toin.

                  37^^'  Bowl.  D. 6 in.  Fawn clay, transparent underglaze, thick white overglaze.  Close
                  spiral lines in dull blue.  Saburo (imp.).                       1680
                     An early mark of Kenzan.
                  3762.  Deep cup.  H. 3^ in.  Gray-drab clay, grayish glaze, broad brush-marks
                  of white and light blue.  Over-decoration of twigs and buds in brown.  Inside,  iTeT
                  similar decoration.  Unsigned.                                   1690
                  37^3-  Bowl.  D.  4I  in.  Gray-drab clay, light gray underglaze, broad area of white glaze
                 upon which are flowers and grass in brown and blue.  Kenzan (written).    1690
                    Type Ninagawa.  Part IV., Fig. 29.
                 37^4-   Tea-cloth holder.  H. 2^^  in.  Fine fawn clay and glaze.  Over-decoration of
                 brown twigs and blossoms in white slip.
                 Kenzan (written).                         1690
                    Type Ninagawa.  Part IV., Fig. 25.
                 37^5-   Box, irregular outline, corresponding to design
                  on cover.  D.  in.  Fine fawn clay, rich light fawn
                              4f
                 glaze.  On cover, picture of huts, water, boats, and
                 figures in dark and light brown and blue.  Sides with
                  lattice design in blue.  Inside, broad dashes of blue.
                 Kenzan (written).                         1700         3764            3765
                    Type Ninagawa.  Part IV., Fig. 24.
                    A remarkable example of Kenzan's work.
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