Page 460 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
P. 460

3o8                          THE CATALOGUE

                     4164*.  Cake-plate.  D.  6J in.  Moulded.  Scalloped edge.  Soft white clay, light green
                     glaze.  Inside, scrolls, formal flowers,  etc., impressed and glazed yellow, dark blue,
                                                                                              ^^^^
                     brown, and green.  Kinko (imp.).                                   1850 ^g
                                                                                              4164
                     IMADO    (Case 35)
                        Under this general name must be included the productions of a number of potters
                    who have, so far as I can ascertain, entitled their individual work Imado.  The pieces
                     are rarely signed.  Some of the pottery is in the form of fire-vessels, soft, unglazed,
                     with polished black surface  ; other forms have a beautiful mottled glaze
                    with hard ringing clay. A number of red Raku pieces occur unsigned.

                     4165-4180.   FiRE-VESSELS, BOWLS, FLOWER-HOLDERS, INCENSE-BOXES, etC.
                       No. 4168 is the only one on exhibition.                            4179
                       No. 4179 has a kakihan.

                     KARAKU (Case    35)
                        A potter named Karaku Sanzo, who showed great skill in modeling and carving,
                    has carried on his work within recent years in Tokyo, and later in Osaka.  He was a
                    native of Yumoto in IwakL
                    4181.   Figure.  H.  4J  in.  Fawn clay.  Face and body unglazed, surface tinged with red.
                    Karaku Sanzo, Shu [?] dai (imp.).                       1880

                    KYOZAN (Case 35)
                        Katsu Awa, an adviser of the Sh5gun, brought a potter from
                    Ky5to, and established an oven at his residence in
                    Tokyo in 1870.  The pieces were signed Kyozan.         »
                    Some of the work had inscriptions upon it written
                                                                         »SS-
                    by Awa, and signed with his pseudonym Kaishu
                                                                         V^Gr
                    and Kyozan impressed.                                 A
                    4182.  Bowl.  D. 3^  in.  Light fawn clay, light yel-  ^  IW-  C^'^
                    lowish glaze ; rough surface sliced, deeply stained within.     fmjL|V^
                                                                         ^|
                    Inscription in black, signed Kaishu.  Kyozan (imp.).  9        ^ * ™Tr
                                                              1870       4182           4181
                    4183.  Box, in form of persimmon.  D. 3  in.  Soft white clay, stained a bright rosy red.
                    Stopper representing stem and calyx, glazed green.  Kyozan (imp.).  1870
                    4184.  Incense-burner Hotus leaf?).  D.  4I  in.  Three legs.  Sides fluted.  Fawn  |ir'5»j
                    clay, light yellow underglaze, reddish overglaze with large dark purple areas.  \w/
                    Kyozan (imp.).                                                      1880  4184

                    HEIGEN
                       Among the Ota potters, near Yokohama, are many who have contributed to the
                    flood of spurious Satsuma, with which America and Europe have been inundated.  One
   455   456   457   458   459   460   461   462   463   464   465