Page 493 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
P. 493

PROVINCE OF SATSUMA                              329
           paper on the Korean Potters in Satsuma, to which allusion has already been made,
           learned that up to 1864 (at which date its production ceased) it was shipped in large
           quantities to Nagasaki.  Being without merit  it gradually disappeared, and specimens
           of it are rare. A harder form of this pottery was made in the last century.
           4435-  Bowl, octagonal.  D. 4f  in.  Hard, nearly white clay, deep yellow glaze with large
           irregular splashes of dark brown glaze finely crackled.  Inside basal ring thick white glaze.
                                                                                    1700
           443^'  Bowl.  D.  3I  in.  Yellowish-white clay, light golden-brown glaze with irregular
           splashes of dark brown and light green glaze.  Inside basal ring thick white glaze coarsely
           crackled.                                                                1820
           4437-  Bowl.  D. 3I  in.  Nearly white clay, bright yellow glaze with irregular splashes of
           seal-brown and light bluish glaze.  Inside basal ring white glaze.       1840
           Satsuma and Kawauchi (written).
           443^-  Tea-pot, rectangular, corners fluted.  L.  4J  in.  Soft fawn
           clay, deep seal-brown glaze with splashes of greenish-yellow.
           Gengo (imp.).                                        1840
           4439-  Tea-cup.  D.  i \^  in.  Yellowish-white clay and glaze, ver-
           tical splashes of golden-brown overglaze inside and out.  1840

           WHITE SATSUMA (Case 38 and Plate XXVII. 4442, 4452, 4453, 4457, 4489)
              Under this name, for want of a better term, may be considered all forms of white
           Satsuma faience, whether decorated or not.  The undecorated forms vary much in
           their quality, the older pieces being always more evenly and finely crackled.  The
           earliest forms are referred to Chosa, Osumi, and these have an almost crystalline
           appearance, so peculiarly fine and brilliant does the crackle appear.
              The brocade-decorated pieces of Nishiki-de of the earliest period are also finely and
           evenly crackled.  The date for these  is usually placed at 1790 or thereabouts.  The
           work Toki Shoshi records Kono Senyemon as making Nishiki-de in 1764-71.  Besides
           these floral decorated ones in vitrifiable enamels there are many other varieties, some
           decorated in blue, others with sketchy landscapes in bluish-black, and others still with
           scrolls or diapers in brown, suggesting Shino.  Variations in clays and glazes appear,
           the purple-glazed forms being the rarest.  Marks are extremely rare.

           WHITE SATSUMA (undecorated)

           4440.  Bowl.  D.  3I  in.  Whitish clay and glaze, dull crackle.  Obscure mark in square
           panel, impressed.                                                        i7S°
           4442.  Incense-burner, with silver cover.  H. 5^  in.  Moulded in form of lotus flower.
           Petals on side in high relief.  Light stained ivory-colored glaze with finest of brilliant crackle.
           Two irregular areas of lacquer with gold,  filling imperfections of glaze.
              An exquisite piece of early Satsuma.
              Gift of Denman W. Ross.
           4443.  Bottle.  H. 2} in.  Yellowish-white clay and glaze strongly crackled.  1800
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