Page 513 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
P. 513

OF DOUBTFUL PROVENANCE
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            PROVINCE OF KII
            4636  .  Incense-burner. H. 2^111.  Greenish-blue glaze. Landscape in black.  A'a«(imp.),
            PROVINCE OF MINO (Case         39)
            4^39-  Cylindrical flower-vase.  H.  7J  in.  Hard light  clay, finely
            mottled brown underglaze, streams of white overglaze closely mottled with
            fawn.  Tanzan (imp.).                                   Recent   4636   4639

            PROVINCE OF MUSASHI
            MAKUDSU

            4640*.  Heavy bowl.  D.  s|  in.  Light clay, thick white glaze.  Dragon in blue inside
            Makudsu (imp.).
               Probably made by Makudsu at Yokohama.
            4643*.  Sauce-dish.  L. 2| in.  Moulded.  Light brown clay, thin green
            glaze.  Inside, white, purple, and green glaze.  Design of flowers and
            leaves in high relief.  Zen (imp.).
            KEIZAN   (Case 39 and Plate XXVIII. 4645, 4646)
            4645.  Fire-vessel, bail handle.  H. 10 J  in.  Light brown clay, thin ochre-colored glaze, not
            crackled.  Elaborate designs of  scrolls,  etc., incised.  Cover, with
            perforated designs.  Aya matsu ga and Keizan (imp.).
            4040.  Ornamental vase, modeled after form in bronze.  H.  15J  in.
            Elephant handles with rings pendent.  Light olive-brown glaze, coarsely
            crackled.  Unglazed panels on sides with formal scrolls deeply cut,
            touched with light yellow and bright blue enamels.  Ornamental rim
            and base with formal scrolls deeply cut.  Ayayaki and Keizan (imp.).  4645
               These two pieces have been veritable puzzles to Japanese experts.
            Under Teizan it is recorded that two princes of the Tokugawa, in the early part
            of this century, made objects in pottery after their own fancy.  This work was
            done at the oven of Korakuyen.  They signed their work Teizan and Keizan
            respectively.  The single authoritative piece from Ninagawa (No. 4071), made
            by Teizan, is such as an amateur might make.  The two doubtful pieces above
            described bear the mark Keizan, and one of the pieces has in its ornamentation the crest of
            the Tokugawa.  With these faint clues and the evidences of fair age I venture to suggest that
            they might have been the work of Keizan, — a strong objection against this
                                                                                    A
            attribution being that the work is far beyond the ability of an amateur.
            PROVINCE OF OMI (Case
                                         39)
            4653  •  Tea-jar.  H. 3I  in.  Light brown clay, Seto glaze with
            splashes of lustrous golden-brown and deepest brown overglaze.
                                                                     -ft
            Base depressed, no threadmark. Ji (inc.).                             f
            4657-  Tea-pot.  D. 3^  in.  Modeled.  Fine dark brown clay,
                                                                        4653       4657
            unglazed.  Formal design of flowers, rock,  etc., carved in relief.
            Handle of cover carved in scrolls and perforated.  Incised design about rim and cover.
            Shizen-an (inc.).
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