Page 392 - Oriental Series Japan and China, Brinkly
P. 392
CHINA
glaze to which Chinese connoisseurs give a place
among Imperial Wares. Many Western collectors
will doubtless hold that the close, circular " fish-roe "
crackle commonly seen on good pieces of turquoise
blue is an additional charm. It is at all events cer-
tain that among the latter are to be found numerous
specimens of great merit. Many of them are
modelled after ancient bronzes, not only the shapes
of the latter but also their designs, incised and in relief,
being accurately reproduced. The Chinese potters
were also fond of using turquoise blue as a body
colour in statuettes of sacred personages and mythical
animals. In such cases they often combine it with
purple and occasionally with yellow and white glazes,
sacrificing every principle of congruity to their love
of rich, striking tints. It is curious that this prosti-
tution of beautiful materials and skilled technique to
barbaric conceptions should have found so much
favour with Western collectors. Jacquemart men-
tions that ware of this description was much prized
Hein France at the end of the last century. in-
stances small pieces which were sold at auction for
prices ranging from 340 to 1,800 francs, and adds
that, in his own time (1875), a vase decorated with a
group of carp in violet swimming among aquatic
plants in turquoise blue fetched as much as 3,000
francs. Purchasers of such pieces cannot be said to
have attached much value to artistic congruity.
"
As a rule only the choicest variety of the king-
" monochrome is marked the mark generally
;
fisher
being a year period engraved in seal character.