Page 51 - Fine Chinese Paintings and Calligraphy Christie's Hong Kong.pdf
P. 51

ᬔზ⻦ࣇ厍 㑷ߧ⨒ᶕ卻         卼厍഍ྒྷ
                                                 ੓㩛ᆚ卻         卼厍੓㩛
                                         ⏟㩛ᆚ卻         卼㯪⟃ᢣ厍 䂆எǯᏒ⨨⊺ǯ
                                         㟊ࣇӬᙹ
                                         ཿ㈇厍 ែ՗卿ᡜᰥ⧻ワ㱦卿ğ䂆⽏ȹӽ⊤Ġ卿     ჺ    ᝲ    ᚚ     ᝲ   ᚚǯ
                                              ែ՗卿ែ՗இ⛁⧻ワ㱦卿ⳍȹ⧻ワ        ჺ    ᝲ   ᚚ厀    ᝲ    ᚚ
                                              लऒྲྀ卿ᇪ႓⧻ワ㱦卿ğែྒྷᇙ⁒ཿ卵卿     ჺ    ᝲ    ᚚ厀    ᝲ   ᚚ
                                              ែ՗卿ᡜᰥ⧻ワ㱦卿ğែྒྷᇙ⁒ཿ卵卿     ჺ    ᝲ       ᚚ
                                         ߅‸厍 Ƕ䂆⽏ȹӽ⊤Ƿ卿ᡜᰥ⧻ワ㱦卿ែ՗卿     ჺ    ᝲ    ᚚ卿✄       ࣿ     㮰卿எ‸   ǯ
                                              Ƕⳍȹ⧻ワǷ✄Ӭᯧ㇧߅‸卿     ჺ卿✄    㮰卿எ‸   ǯ
                                              Ƕⳍȹ⧻ワǷ✄Ӭᯧ㇧߅‸卿     ჺ卿✄    㮰卿எ‸   ǯ
                                              Ƕែྒྷᇙ⁒ཿǷཿ㈇⏖㢙卿ഌ౷ႛ⻱▘卿ែ՗卿     ჺ卿✄     㮰ǯ
                                              㨸ऑჹӬ㚿卿Ƕ㜼ऒႷ 㜮Շ།哝‸Ƿ卿༳⧻ᝧ㩴卿ែ՗卿     ჺ ǯ

                                         NOTE:
                                         According to Muromachidono Gyoukou Okazari-Ki, on 26 October 1437, Ashikaga Yoshinori (1394-
                                         1441, the sixth shogun) invited Gohanazono emperor (1419-1471) to his house where there were two
                                         dragon paintings hanging on the wall. It is likely that those paintings are this lot.
                                         In Higashiyama Collection of Treasures, this lot was first in the collection of West-Honganji temple, then in one
                                         of the houses of Toyotomi Hideyoshi (1537-1598), recorded as no. 12 in the Chinese paintings collection.
                                         Soami (1472-1525) was a Japanese painter and landscape artist, and the grandson and son of Nǀami and
                                         Geiami, who were painters and art connoisseurs. Soami excelled in Chinese landscape techniques and
                                         developed his characteristic style which influenced Japanese painters of the generations that followed.

                                         ㉙厍 Ƕༀ⊘ᬆリჽᇙ㱈㉃Ƿᝪ㉃㖊厍     ჺ    ᝲ    ᚚ卿ༀ⊘რᄙ഍⎑ᓛ㉎✄   ջཆ㕘㑷ߧ⨒ᘹ卿⋁
                                            ᛞᇌⱤஊ㩴‶ӳᓔᝳӬཌ㫡䂆᭢ಳ⊺ǯ֭㈷ᛓལ㘺ݦზǯ
                                            Ƕែྒྷᇙ⁒Ƿ⻦৅㉃㢙᫉ཌ䂆⊺ᝪἃ㇛ទ㯳ཀক㎌⯀★म              Ꮢ⻦卿⪝ᦼⱹ⤔⽚   ǯ
                                         ǭǭ ⏟㩛ᆚ卻         卼卿ᚚទༀ⊘ᛞջྒྷ᭢⊺།卿݋ߎໝ⨶ԋஇ⥾⊺⎏⏟㨸ᐃႛ卿ᆨᎰ⯇㕇ℒ⁞
                                            ⎏⻱ワ㰍ᡟǯ ங    ӽ⡕⎏ᚚទ⊺೉⊄⊂Իᥑഌᆴ㮮࠺ǯ


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