Page 194 - Bonhams November 4 2021 Japanese art London
P. 194

298                         298


























           298 (part lot)                            299                        299

           WOODBLOCK PRINTS
           Various Properties
           298                                               299
           OKUMURA MASANOBU (1686-1764), REKISEITEI EIRI     KITAGAWA UTAMARO (1753-1806)
           (ACTIVE CA. 1790-1800), KATSUKAWA SHUNSHO (1726–1792)   Edo period (1615-1868), late 18th/early 19th century
           AND KATSUKAWA SHUNKO (1743-1812)                  Two oban tate-e prints: the first of the courtesan Fujie of the Nakamanjiya
           Edo period (1615-1868), 18th century              from the series Yukun gosseku (Courtesans of the Five Festivals),
           Four prints of various formats: the first a hosoban by Masanobu   published by Maruya Jinpachi, censor’s seal kiwame, signed Utamaro
           depicting a rich retired gentleman impersonating Daikoku, two   hitsu, 36cm x 24.3cm (14 1/8in x 9 9/16in) ; the second probably a middle
           courtesans seated beside, signed Hogetsudo Oku Bunkaku [...],   sheet from a triptych depicting a man and women making ricecakes for
           28.5cm x 14.5cm (11¼in x 5¾in); the second an oban by Eiri of Tenji   New Year, published by Tsuruya Kiemon, signed Utamaro hitsu,
           Tenno: Aki no ta (Emperor Tenji: Autumn Rice Field) from the series   33cm x 22.5cm (13in x 8 7/9in); all framed and glazed. (2).
           Hyakunin isshu mitate hakkei (Eight Views of the Hundred Poets),
           signed Rekisentei ga, 31cm x 21cm (12¼in x 8¼in); the third a chuban  £800 - 1,000
           by Shunsho of No.6 from the series Kaiko yashinai gusa (Silkworm   JPY120,000 - 150,000
           Cultivation), signed Shunsho ga, 24.8cm x 19.2cm (9¼in x 7 9/16in);   US$1,100 - 1,400
           the last a hosoban by Shunko depicting a kabuki actor, signed Shunko
           ga, 30.5cm x 14cm (12in x 5½in); variously published;    Another impression of the second print, part of a diptych (possibly
           all framed and glazed. (4).                       a triptych), is in The Museum of Fine Arts Boston: accession no.
                                                             11.14455-6, image accessible at https://collections.mfa.org/
           £1,000 - 1,500                                    objects/521408
           JPY150,000 - 230,000
           US$1,400 - 2,000


                                                    For details of the charges payable in addition to the final Hammer Price of each Lot
           192  |  BONHAMS                          please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
   189   190   191   192   193   194   195   196   197   198   199