Page 204 - Bonhams November 4 2021 Japanese art London
P. 204

315 (part lot)


























               316 (part lot)
           315                                               316*
           UTAGAWA KUNIYOSHI (1797-1861)                     KITAGAWA UTAMARO (1753-1806), UTAGAWA KUNIYOSHI
           AND KAWANABE KYOSAI (1831-1889)                   (1798-1861), UTAGAWA TOYOKUNI III (1786-1865),
           Edo period (1615-1868), mid 19th century
           Three oban tate-e and one triptych prints: the first and second   TOSA SCHOOL AND OTHERS
                                                             Edo period (1615-1868) to Meiji era (1868-1912),
           two oban of Okegawa and Ashida from the series Kiso kaido   19th to early 20th century
           rokuju kyutsugi (69 Stations on the Kisokaido), both published by   100 prints and 20 paintings comprising; 100 prints of various formats
           Sumiyoshiya Masagoro, with two nanushi censors’ seals and date   (majority oban), sizes and subjects, including yakusha-e, musha-e,
           seal of the year of rat (1852), signed Ichiyusai Kuniyoshi ga, 34cm x   bijinga, kaika-e and some facsimiles by various artists, including a
           23.7cm (13 3/8in x 9 3/8in) and 36cm x 24.2cm (14 3/16in x 9½in)   yotsugiri tate-e of Bijin menso juttai no zu (Ten Types of Women’s
           respectively; the third of a triptych by Kuniyoshi of Watonai gunko   Physiognomy) by Utamaro and a chuban of Furyu junikagetsu no uchi
           toshu no zu (General Watonai conquering the Tigers), published by   shichigatsu (Fashionable 12 Months: Seventh Month) by Toyomasa,
           Yamaguchiya Tobei, censor’s seal aratame, date seal hare 1 (1855),   variously published and variously signed; 19 paintings, in ink on paper
           signed Ichiyusai Kuniyoshi ga, 34.5cm x 23cm (13 5/8in x 9 1/16in);   by members of the Tosa School, possibly depicting passages from
           the last an oban by Kyosai of Konjaku miken seibutsu moko no shinzu   Tsurezuregusa (Essays in Idleness) written by Yoshida Kenko between
           (A True Picture of the Fierce Live Tiger Never Seen from the Past to   1330 and 1332, unsigned; one small watercolour drawing of an ema
           the Present), published by Ebisuya Shoshichi, with combined censor’s   (small wooden plaque), unsigned.
           and date seal of aratame monkey 6 (1860), signed Oju Kyosai shasei,   The smallest: 18.7cm x 12.5cm (7 3/8in x 4 15/16in);
           36.2cm x 24.7cm (14¼in x 9¾in); all framed and glazed. (4).  the largest: 39cm x 25.5cm (13 3/8in x 10 1/16in). (120).
           £800 - 1,200                                      £1,000 - 1,500
           JPY120,000 - 180,000                              JPY150,000 - 230,000
           US$1,100 - 1,600                                  US$1,400 - 2,000


                                                    For details of the charges payable in addition to the final Hammer Price of each Lot
           202  |  BONHAMS                          please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
   199   200   201   202   203   204   205   206   207   208   209