Page 190 - ART OF THE ISLAMIC AND INDIAN WORLDS Carpets, Ceramics Objects, Christie's London Oct..27, 2022
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                                                                                                                                 A SILK CAUCASIAN PRAYER RUG
                                                                                                                                 18TH CENTURY
                                                                                                                                 Silk embroidered on a chequered plain weave
                                                                                                                                 ground, faint surface marks, backed, overall very
                                                                                                                                 good condition
                                                                                                                                 6ft.7in. x 4ft. (200cm. x 121cm.)
                                                                                                                                 £15,000-20,000     US$18,000-23,000
                                                                                                                                                      €18,000-23,000
                                                                                                                                 Until recently, little was written or recorded of
                                                                                                                                 this fascinating group of silk Azerbaijan textiles
                                                                                                                                 that have been collected by a small number of
                                                                                                                                 appreciative collectors but which have rather
                                                                                                                                 dipped beneath the radar. There are relatively few
                                                                                                                                 examples in circulation, and even fewer in good
                                                                                                                                 condition. The recent publication, Stars of the
                                                                                                                                 Caucasus, London, 2017, compiled by a number
                                                                                                                                 of respected academics, attempts to unpick the
                                                                                                                                 variety, beauty and technical ability of these finely
                                                                                                                                 woven textiles.
                                                                                                                                 Opinions have varied considerably on their dating
                                                                                                                                 but most consider them to have been woven after
                                                                                                                                 the fall of the Safavid dynasty towards the end of
                                                                                                                                 the 18th century but before the sharp decline in
                                                                                                                                 silk production, due to blighted mulberry trees in
                                                                                                                                 Gilan, in the middle of the 19th century, (Michael
                                                                                                                                 Franses, op.cit, Chapter 4, p.100).
                                                                                                                                 Two different embroidery techniques were
                                                                                                                                 employed in Caucasian and Azerbaijan
                                                                                                                                 embroideries, the cross-stitch and a diagonal long
                                                                                                                                 stitch; ours uses the latter (Jennifer Wearden, "A
                                                                                                                                 Synthesis of Contrasts", HALI, Issue 59, pp.102-111).
                                                                                                                                 Due to the nature of cross-stitch, the designs using
                                                                                                                                 that method often followed a geometric pattern of
                                                                                                                                 angular form, (Christie's, London, Battilossi Tappeti
                                                                                                                                 d'antiquariato, 11 February 1998, lot 81). With long-
                                                                                                                                 stitch however, softer and more fluid forms can be
                                                                                                                                 created as seen in the naturalistic representation of
                                                                                                                                 the birds and flowers in the present example. The
                                                                                                                                 same fluidity can be seen in an early 18th century
                                                                                                                                 example in the Victoria and Albert Museum,
                                                                                                                                 London, (inv. no.192-1989).
                                                                                                                                 The vast majority of textile designs were
                                                                                                                                 imprinted onto a cotton foundation with the
                                                                                                                                 aid of a resin or non-fast dye but here the use
                                                                                                                                 of a black and white checked ground has been
                                                                                                                                 employed. This particular ground can be found
                                                                                                                                 on a small number of other published examples
                                                                                                                                 (E. Heinrich Kirchheim et al., Orient Stars, A
                                                                                                                                 Carpet Collection, Stuttgart and London, 1993,   panels in New Julfa, notably those in the Church   For a comparable example but with a yellow
                                                                                                                                 pp.68-69, pl.42; Ulrich Schurmann, Caucasian   of St. George, dating from 1619 (John Carswell,   cartouche border with peacocks see Stars of the
                                                                                                                                 Rugs, Braunschweig, 1961, pp.350-1, pl.138, and   New Julfa - The Armenian Churches and other   Caucasus, op. cit., p.17, fig.1.5. Another with an
                                                                                                                                 one sold in these Rooms, 6 April 2006, lot 107).   Buildings, Oxford, 1968, pl.20). The Church of the   abrashed corn-flower blue border, sold in these
                                                                                                                                 It would appear likely that this was to serve as an   Holy Mother of God dated to 1613 also contains   Rooms, 25 October 2007, lot 56, and a similar
                                                                                                                                 alternative source of guidance.    tile panels containing vases springing from cusped   example but was with a green border and leaf
                                                                                                                                                                    arabesques, and flanked by a variety of animal   design was sold in these Rooms, 25 June 2020,
                                                                                                                                 This prayer panel is one of those with the most   combat groups as well as floral sprays (John   lot 160. A further example with the addition of
                                                                                                                                 curvilinear designs of very clear Safavid inspiration   Carswell, op. cit., pl.26). The present embroidery   a decorative flowering vase at the lower end of
                                                                                                                                 if not actual instruction. The drawing and in   appears to have been made very much following the   the field, of which there is another similar in the
                                                                                                                                 particular the proportions of the prayer arch are   same style, although how long it took these designs   Nasser D. Khalili collection, sold at Christie’s
                                                                                                                                 however very close to those of cuerda seca tile   to filter through to the Caucasus is hard to say.  London, 6 October 2015, lot 101.

          188                                                                                                                            In addition to the hammer price, a Buyer’s Premium (plus VAT) is payable. Other taxes and/or an Artist Resale Royalty    189
                                                                                                                                      fee are also payable if the lot has a tax or λ symbol. Check Section D of the Conditions of Sale at the back of this catalogue.
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