Page 235 - ART OF THE ISLAMIC AND INDIAN WORLDS Carpets, Ceramics Objects, Christie's London Oct..27, 2022
P. 235

VARIOUS PROPERTIES
 ■*215
 A KHOTAN CARPET
 EAST TURKESTAN, EARLY 19TH CENTURY
 Even light wear with small spots of repair, otherwise very good condition
 10ft.5in. x 5ft.7in. (318cm. x 170cm.)
 £8,000-12,000  US$9,300-14,000
 €9,300-14,000


          ■*217
          A KHOTAN CARPET
          EAST TURKESTAN, FIRST HALF
          19TH CENTURY
          Light even wear, ends rewoven, overall very good
          condition
          11ft.4in. x 5ft.4in. (346cm. x 163cm.)
          £15,000-20,000     US$18,000-23,000
                               €18,000-23,000
          The triple medallion design of the present carpet
          is one of the most common in Khotan weavings.
          Typically arranged with three indigo-blue
          medallions laid upon a brick-red ground colour
          it is enclosed here within a polychrome Yün Tsai
          T'ou border. According to Bidder the origin of
          the design stems from Ghandara-Buddhism
          where the three lotus seats denote the seats
          for Buddha flanked by two Bodhisattvas in the
          Buddhist temples of Yotkan (=Khotan), Hans
 215      Bidder, Carpets from East Turkestan, Tübingen,
          1964, p.53. A subsequent theory suggests that
          these were made for wedding ceremonies where
 ■*216    the central roundel was used by the celebrant,
 A KHOTAN CARPET  with the flanking roundels designated for the
 EAST TURKESTAN, LATE 18TH CENTURY  marital couple. A carpet of similar field design
          is illustrated in Davide Halevim, Oasi. Memorie e
 Of 'Herat' lattice design, light corrosion and associated repiling, overall very
          Fascino del Turkestan Orientale, Milan, 1999, no.6.
 good condition
 11ft.5in. x 6ft. (349cm. x 184cm.)
 £7,000-9,000  US$8,200-11,000
 €8,100-10,000
 The overall 'Herat' design of linked stems forming a floral lattice can be
 traced back to the 18th century workshops of Kashgar and ultimately the
 floral carpets of Mughal India. Herat had maintained a huge position of
 power up until the last decades of the 19th century where it had thrived
 as a crossroads of commerce: from Bukhara to Kirman,and China to
 Constantinople where Turkoman nomads, Uzbeks and Armenian craftsmen
 had mingled. The angular arrangement of small stems with five flowers
 with a triple flower tendril linked with leaf lozenges on the present carpet
 is clearly a Turkestan interpretation of these earlier sources and which
 appears on a silk carpet illustrated by Hans Bidder, (optimistically dated to
 the late 16th/17th century, Carpets from Eastern Turkestan, Tubingen, 1964,
 Ch.III, The Khotan Carpets, D, 1., pp.43-85, 3., ‘The ‘Herat’ and floral style of
 ‘endless rapport’, pp.74-77, pl.XVIII ). Two further comparables on madder
 grounds with differing borders see Bidder, op.cit. pls. XVI & XVII.  216

 232  In addition to the hammer price, a Buyer’s Premium (plus VAT) is payable. Other taxes and/or an Artist Resale Royalty    233
 fee are also payable if the lot has a tax or λ symbol. Check Section D of the Conditions of Sale at the back of this catalogue.
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