Page 10 - Sotheby's Imperial Chiense Porcelain Nov 4 2020 London
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        A MAGNIFICENT PAIR OF LARGE HUANGHUALI      PROVENANCE                                                      Elegant lines and generous yet balanced proportions   these chairs, would have forced its occupant to sit upright,
        CONTINUOUS YOKEBACK ARMCHAIRS,              Purchased from Hei Hung-Lu, Hong Kong, late 1980s/early         characterize this magnificent pair of armchairs. Their round   thus endowing him with a sense of power and dignity.
        NANGUANMAOYI                                1990s.                                                          members and wide C-shaped back splats create a subtle,   This particular variation with continuous back and arm rails
        LATE MING DYNASTY                                                                                           undulating movement that is completed in with minimal   was first developed in the Ming dynasty, possibly inspired by
                                                    ◉ W £ 200,000-300,000                                           details such as shaped flanged and spindle-form stiles. The   bamboo chair construction, where pliable lengths of bamboo
        each chair with an elegantly arched yokeback toprail                                                        rich, lustrous honey-toned huanghuali of the back splats with   were bent and bound together with natural fibres. Robert D.
        supported by shaped spandrels and curving down to join the   晚明   黃花梨南官帽椅成對                                 matching grain pattern demonstrates that these two chairs   Jacobsen and Nicholas Grindley in Classical Chinese Furniture
        gently sloping rear posts continuing through the frame to                                                   were conceived and made as a true pair.    in the Minneapolis Institute of Arts, Minneapolis, 1999, pl. 9,
        form the back legs, with a well-figured wide splat tenoned to   來源                                          Chairs of this specific form are known as nanguanmaoyi, or   cite two speckled bamboo chairs with continuous top and arm
        the underside of the yoke and into the back rail of the seat   於上世紀80年代末/90年代初購自香港黑洪祿                       ‘southern-official hat chairs’, and belong to a category of   rails, illustrated in the Wanli period Kunqu opera Tale of the
        frame, the arms supported on baluster-form centre stiles, the                                               yokeback armchairs that were very popular in the Ming period.   Jade Hairpin.
        rectangular seat frame enclosing a mat seat, the edge moulded                                               Nanguanmaoyi are characterised by the unbroken line from   A similar chair is illustrated in Robert H. Ellsworth, Chinese
        and tapering inwards, the legs joined by a plain beaded apron,                                              top and side rails to arms and legs, a feature that was made   Furniture, New York, 1970, pl. 6. Compare also with a pair of
        the side and back stretchers of ascending height                                                            possible through the ingenious right-angle ‘pipe joint’. These   continuous yokeback armchairs from the collection of Dr S.Y.
        (2)                                                                                                         comfortable and elegant chairs are somewhat less formal than   Yip, sold in our Hong Kong rooms, 7th October 2015, lot 111.
        Each 120 by 62 by 48 cm, 47 by 24½ by 18⅞ in.                                                               guanmaoyi (‘official hat chairs’) with protruding arms and crest   As single armchair with shaped aprons, but lacking the interior
                                                                                                                    rails, which were reserved for the master of the household and   flanges, in the Minneapolis Institute of Arts, is illustrated op.
                                                                                                                    high-ranking guests. Nevertheless, the tall C-shaped splat of   cit., pl. 9;
























































        16      Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right                               17
                (which will depend on the individual circumstances). Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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