Page 10 - 2021 March 17th Japanese and Korean Art, Bonhams NYC New York

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UTAGAWA SADAHIDE (1807-1873), AND UTAGAWA HIROSHIGE III YOSHU CHIKANOBU (HASHIMOTO CHIKANOBU, 1838-1912), AND
(1842-1894) VARIOUS ARTISTS
Edo period (1615-1868) to Meiji era (1868-1912), 1860-1870 Meiji era (1868-1912), 1894
Comprising three oban tate-e triptychs: the first entitled Yokohama Honcho Comprising 20 oban tate-e triptychs associated with the Sino-Japanese
narabi ni Miyozaki-cho saiken zenzu (Complete Detailed View of Yokohama war, including: Wagahei Heijo senryo no zu (Our Soldiers Capturing
Honcho and the Miyozaki Quarter), 1860, published by Yamamoto Pyongyang), signed Yoshu Chikanobu, and Chosen seifu daikaikaku no
Heikichi, censor’s seal, signed Gountei Sadahide; the second entitled Tokyo zu (Major Reform of Korean Government), both published by Tsujioka
Yokohama jokisha tetsudo no zu (Illustration of the Steam Train Railroad Bunsuke; Ryojunko kogeki zu (Illustration of the Attack on Port Arthur),
Between Tokyo and Yokohama), published by Kagaya Kichiemon (Kichibei), published by Akiyama Buemon, signed Minehide ga; Anjowatari gekisen
censor’s seal aratame, signed Ryosai Hiroshige ga; the last entitled no zu (Fierce Fighting at the Anseong Crossing), published by Yokoyama
Yokohama kaigan dori no zu (Illustration of Yokohama kaigan Street), 1870, Ryohachi, signed Enkatsu (60)
published by Iseya Kisaburo, censor’s seal, signed Hiroshige hitsu (5) 14 5/8 x 9 3/4in (37.2 x 24.9cm) each approximately
14 1/2 x 10in (37 x 25.4cm) each approximately
14 3/8 x 27 3/4in (36.5 x 70.5cm) three sheets joined $1,200 - 1,800
14 1/2 x 28 3/8in (37 x 72cm) three sheets joined
$1,200 - 1,800
Reference
Yokohama Honcho narabi ni Miyozaki-cho saiken zenzu only, Ann
Yonemura, Yokohama: Prints from Nineteenth-Century Japan, exhibition
catalogue, Washington DC, Arthur M. Sackler Gallery, 1990, cat. no. 4

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