Page 36 - 2021 March 17th Japanese and Korean Art, Bonhams NYC New York
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           A GROUP EIGHT WOOD AND STAG-ANTLER NETSUKE        KANO TESSAI (1845-1925) AND OTHERS
           Edo period (1615-1868) or Meiji era (1868-1912), 19th/20th century   Meiji (1868-1912) or Taisho (1912-1926) era 19th/20th century
           Comprising a tall standing figure in long robes and tall hat holding a straw   A group of twelve mask netsuke
           broom, signed Jiro; a seated figure admiring a short sword in a plain wood   Each carved in wood and decorated in pigments, representing various
           scabbard, inscribed Miwa; a model of a crouching shishi (lion); a lacquered-  theater masks, comprising Tsurimanko, signed Kano Tessai and with a kao;
           wood figure o a monkey dressed as a Sanbaso dancer; a model of a bird   Hagoromo, signed Kyoka to; Suikoju, signed Shosai to; a Gigaku mask
           decorated with inlays of mother-of-pearl and lacquer; a twisted rhizome of   signed Kyosai to; Hannya, signed Tesshu and with a kao; a Gigaku mask,
           bamboo; an ebony model of a log; an ebony and stag-antler model of a   signed Shosai to; a Gigaku mask, signed Kano Tessai, with the artist’s kao;
           roof tile and seashells, signed Gyokuzan          Otafuku, signed Kyoka to; Tobido, inscribed Tessai; Nio, signed Shosai to;
           3 7/8in (9.8cm) high, the largest                 Gyodo, signed Tessai to; Ranyo-o, signed Tetsuro to
                                                             2 3/8in (6cm) high, the largest
           $3,000 - 5,000
                                                              $2,000 - 3,000
           567
           HARA SHUGETSU III (DIED CIRCA 1880)               Provenance
           A set of twelve wood mask netsuke                 The first purchased from Ruth Schniedman, New York, 1974
           Edo period (1615-1868) or Meiji era (1868-1912), 19th century   The second purchased from Itoh, Tokyo, 2000
           The set of twelve masks carved in light-colored boxwood, representing   The fourth purchased from Sotheby’s, New York, 1975
           characters from the Noh drama, each signed Hogen Shuetsu   The fifth and eleventh purchased from Otsuki, Kyoto, 1974
           1 1/4in (3.2cm) high, the largest                 The sixth, eighth, and tenth purchased from Abe Gerlick, Tokyo, 1975
                                                             The seventh purchased from Klefisch, Cologne, 1975
            $2,500 - 3,500                                   The ninth purchased from David Swedlow, Newport Beach, 1982
                                                             The twelfth purchased from Hugh Weiser, Los Angles, 1982
           Provenance
           Purchased from I. M. Chait, 1998                  569
                                                             A GROUP OF EIGHT METAL NETSUKE
                                                             Edo period (1615-1868) or Meiji era (1868-1912), 19th/20th century
                                                             Comprising a brass model of a bird on a pine branch; a shibuichi model of
                                                             a Hannya mask, the eyes and horns gilt, the back plate incised with maple
                                                             leaves, signed Mitsutoshi; a bronze mask of a grimacing man, the eyes and
                                                             teeth gilt; a small bronze mask of a demon; a shibuichi mask of a demon; a
                                                             silver mask of Okame, signed Ittei Shunko and seal Ittei; a bronze mokugyo
                                                             bell; a bronze model of a saddle decorated with paulownia crests in gold
                                                             takazogan
                                                             3 1/8in (7.9cm) high, the largest
                                                             $2,500 - 3,500

                                                             Provenance
                                                             The first purchased from Ito, Tokyo, 1973
                                                             The second purchased from Orientations Gallery, New York, 1987
                                                             The third purchased from Otsuki, Kyoto, 1974
                                                             The fourth purchased from Ronin Gallery, New York, 1995
                                                             The fifth purchased from Tony Murray, Tokyo, 1977
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