Page 251 - Christies Japanese and Korean Art Sept 22 2020 NYC
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century banchado paintings 班次圖, that is, paintings that depict   trees—this scroll lacks the title at the top, just as it lacks a list of
          the numerous participants and their relative positions in a grand   the participants’ names. It is unclear whether this painting included
          procession, usually a royal procession, the participants’ order   distant mountains as a backdrop; if so—and it likely originally
          determined by their rank or position in society. Although they   did—that portion of the painting was lost with the title.
          generally obscure all but the foreground figures and the nearest
          government buildings, the low-lying mists permit a view of the   Although fragmentary, this painting is rare—as few such paintings
          distant mountains.                                  survive—and it is important as it records an actual event and as it
                                                              is datable to the mid-seventeenth century, thanks to its colophon.
          The title of the painting, generally written in seal-script   With luck, a literary work that describes this event and that
          characters 篆書字, characteristically appears above the mountains,   can be associated with Sin Ikjeon—perhaps another diary, for
          at the very top of the painting, and reads either 驄馬契會圖 or   example—one day will come to light and thereby convey the
          驄馬契圖,  that is, “A Painting of a Gathering of Officials from   event’s exact date as well as a list of participants. Meanwhile, this
          the Office of the Inspector-General.” In addition to the painting,   rare work reminds us of the important role that such paintings
          title, and colophon, which describes the event and sometimes   played in documenting official gathering and other events in the
          conveys its date, a complete work also includes a list of the   days before photography.
          participants at the gathering.
                                                              Robert D. Mowry  毛瑞
          Based on the description above, the present work clearly is   Alan J. Dworsky Curator of Chinese Art Emeritus,
          fragmentary. Although it includes the essential pictorial elements—  Harvard Art Museums, and
          the walled enclosure, government buildings, and the figures and   Senior Consultant, Christie’s
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