Page 32 - Christies Japanese and Korean Art Sept 22 2020 NYC
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          SUDA KOKUTA (1906-1990)
          Untitled, 1961
          Signed Koku to the front and Suda Kokuta and dated 1961 on reverse
          Oil on canvas
          23æ x 18 in. (60.4 x 45.2 cm.)
          With a certificate issued by The Kokuta Suda Certification
          Committee, number C-64
          $10,000-15,000

          One could hardly define Suda Kokuta’s artistic style. This influential
          artist started his career as a figurative painter. He was quite a
          successful artist then – winning various awards and joined artist
          groups. However it was not until 1950s that he started to create in
          an abstract manner he was known for nowadays. During the 1950s,
          groups of artists shared a common interest in exerting freedom
          of expression, separate from the influence of the antiquated art
          associations. In 1952 Suda co-founded the Modern Art Discussion
          Group (Genbi) which provided a forum for discussions on art theory
          and practice amongst its members who also included Jiro Yoshihara
          (1905-1972) and Shiryu Morita (1912-1998); these discussions
          would later form the foundations of the Gutai group. Although
          Suda did not join the group to keep his practice independent,
          inevitable attention flew to him domestically and internationally. In
          his later career, Suda began to focus on producing bold calligraphic
          works featuring Buddhist dictums.
          Buddhism spirit was always part of his creative activity. He was such an
          pure yet persistent person that a priest once referred to him as Kyoojin
          Kokuta, or Madman Kokuta. What on top of canvas and paper were
          not only thick layers of materials, but also Kokuta’s pure heart, passion
          and spiritual minds. Kokuta Suda’s works are in numerous museum
          collections, including Miho Museum, Los Angeles County Museum of
          Art and The Metropolitan Museum of Art.
          For a similar painting by the same artist, see Iida City Museum,
          ed., Suda Kokuta ten: hotobashiru inochi gagyo 50 nen (Suda Kokuta’s
          Exhibition: Commemorates 50th year anniversary of artist's career)
          (Nagano: Iida City Museum, 1992), no. 78.







                        I am an artist. I have nothing but my work…If I don’t paint for myself,
                        there is no way I would paint for others. I should become my work.


                                                                                  – Suda Kokuta
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