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       Albrecht Diirer                            as drinking horns, or simply to keep as raw mate-  The inscription on the preparatory drawing (cat.
                                                                                              209)
                                                                                                  states that Diirer designed this chandelier,
                                                  rial.
                                                      By the time of his death, Diirer also owned
       Nuremberg, 1471-1528                       a collection of antlers. In a letter  to Johann  which was made by "Old  Stoss/ who has been
       DESIGN  FOR A CHANDELIER                   Tschertte written  in November  1530,  Willibald  correctly identified as Willibald Stoss,  son of the
                                                  Pirckheimer observed that he would have liked to  famous  Veit Stoss. Willibald carefully followed
       c.  1521-1522                              have obtained these, especially one that was quite  Diirer's design:  his three-headed  dragon has long,
       pen  and watercolor on  paper              beautiful,  but that Diirer's widow Agnes had se-  twisted  necks and two tails curled around the  ant-
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       16.8x21.3  (6 /8x8 / 8)                    cretly  sold them for a pittance, along with  other  lers.  The chandelier was in fact commissioned  by
       references:  Kohlhaussen 1939;  Heikamp 1960,  choice items.  Pirckheimer, too, had a large collec-  Anton  Tucher n (1457-1524), chief treasurer of
       44-46, 48-51, fig. 3; Strauss 1974,3:1378-1379,  tion of antlers, which were displayed around  Nuremberg.  From his account book we learn that
       3:1350-1351, no.  1513/29;  New  York  and
       Nuremberg  1986, 332, no.  and fig. 149    his house  (for the  inventory  of this collection at  it was intended to be hung in the  Town Hall:
                                                  Pirckheimer's death, see Heikamp 1960,  48-51).  "Item, on March i  [1522] I presented the city
       Stddtische  Museen  Konstanz,  Wessenberg-  Another design for a chandelier by Diirer, prob-  fathers with an elk horn of thirty-four points with
       Gemaldegalerie, Constance                  ably executed in  1513, shows a chandelier made of  a carved, gilded dragon holding seven lights and
                                                  antlers along with a siren that holds Pirckheimer's  costing twenty-four guilders, for their newly built
       The chandelier depicted in the present drawing  coat of arms; the  siren may  have been a tribute  upstairs chamber/' This room, the governing
       was executed by the  sculptor Willibald Stoss  to Crescentia Rieter, Pirckheimer's wife, who  chamber, was the meeting place of the  septemviri,
       (cat.  210). An inscription on the  sheet by either  had died in  1504  and whose coat of arms  in-  the  executive committee of the council.
       Anton  or Johann Neudorfer, grandsons of Johann  cluded a mermaid (Strauss 1974 3:1378-1379,  The great antlers, with  a total of thirty-four
       Neudorfer  (1497-1563), the famous calligrapher  no.  1513/28).               J.M.M.   points, are not  those of the  elk (elch)  mentioned
       who wrote biographies of Nuremberg artists, pro-                                       in Tucher's account book, but  rather of a reindeer
       vides some details on the commission:  "This                                           (Rangifer  tarandus L.), an animal that is found in
       design was made by Albrecht Diirer himself, and  21O                                   Europe only in Scandinavia. Diirer's fascination
       old Stoss, who was a carver, the  father of Veit and  Willibald Stoss, after Albrecht Diirer  with antlers  and horns is well known: in  1520
       Phillip  Stoss (who were my grandfather's pupils                                       he asked Georg Spalatin to remind  his  master,
       and later assistants and were  subsequently  Nuremberg, c. 1500-1573                   Frederick the  Wise,  Elector of Saxony, to  send
       ennobled on account of their writings),  actually  CHANDELIER  IN  THE  FORM           Diirer  the antlers he had promised him,  "as he
       carved it, and you can still  see it at the Rathaus  OF  A  DRAGON                     wanted to make two chandeliers with them."
       here, in the governing chamber/'  From another  1522                                   Frederick the  Wise was one of the  most powerful
       document we know that the chandelier made  gilded  limeivood  and  reindeer antlers    of German princes, and it may have been from
       by Stoss after  Diirer's design was commissioned  48 x  125 x  153 (i8 /s  x  49^/4 x  6o/4)  him that Diirer  obtained the exceptionally large
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       by Anton  Tucher for the  governing  chamber of  references:  Kohlhaussen 1939,  135-141, figs.  1-3;  antlers used for the Nuremberg chandelier. The
       the  Nuremberg Town Hall.                  Heikamp  1960, 42-55, fig. 4; Grote  1961, 76-77,  governing chamber of the  Nuremberg Town Hall
         One  of the many objects recorded with interest  fig.  36;  Nuremberg 1983, 172-175, no. 13,  was,  after  all, the private meeting room for the
       in Diirer's Netherlandish diary is the  buffalo  figs.  112-113; Kahsnitz 1984, 48-49; New  York  and  seven electors —of whom Frederick the  Wise
       horn.  He bought a number of them,  perhaps for  Nuremberg  1986, 332-333,  no. and fig. 150  was one —when the imperial Diet was in session
       their sheer rarity, possibly to have them  mounted  Germanisches Nationalmuseum, Nuremberg  in the  city.                J.M.M.

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