Page 526 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
P. 526

fig.  4.  The shape of the sacred rock at Machu  Picchu echoes that of the mountain behind it






           caused by large ear ornaments. The ear orna-  both  the  importance of the  craft  and the  lack of  social and ideological concerns were most  often
           ments of the  Inka rulers are said to have been  sufficient  local specialists to supply the  rapidly  seen in textiles  and architecture.
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           of gold. 36                                expanding state.  These smiths were presum-   Architecture built by the Inka state is easy to
             Metal objects were frequent religious  offer-  ably asked to make objects in a new style.  They  distinguish  from  the buildings of other  times
           ings.  Gold and silver  figurines of animals  and  apparently abandoned the  elaborately  orna-  and cultures.  It is based on simple forms with
           people were often buried.  Some of the  most  mented  surface detail of sheet metal charac-  little adornment.  In the highlands the Inka built
           spectacular examples of these buried  offerings  teristic of earlier Chimu  art  for an emphasis on  mainly with stone, relying on relief provided by
           were interred on snowcapped mountains  in the  the  simple, more three-dimensional  forms  the joins for surface character. On the coast
           southern  Andes of Chile and Argentina  (cat.  favored by the Inka.                    local adobe was the primary construction  mate-
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           442).  It is interesting  that the human figures  The Inka had inherited  one of the world's  rial. In both regions buildings were frequently
           were clothed,  so that the metal surface was  most sophisticated metallurgical technologies,  covered with a thin layer of clay that was
           largely covered.                           and they  clearly appreciated the  malleability,  brightly painted. Walls were slightly  tapered for
              In pre-Inka times  the  quantities of silver and  durability, and reflective  surfaces  of metal.  stability.  The trapezoid was a ubiquitous form,
           gold ornaments in the  Cuzco area had not been  However, it was not the medium they  chose for  used for doorways, windows, and wall niches. 39
           nearly as great as those in the north.  The Inka  expressing their most complex ideas. The  In some of the  most famous  and monumental
           brought  Chimu  smiths to Cuzco, suggesting  vocabularies for articulating their principal  Inka architecture, retaining walls were used to

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