Page 533 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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ment and dress, particularly in their use of large  force presumably led to the frequent  employ-
                                                   and showy headdresses (cats. 438, 440).  To sig-  ment  of solar disc and cross-rayed motifs as
                                                   nify their importance  chiefs were sometimes  shorthand  symbols  of chiefly power.  The  fire
                                                   carried over the  heads of ordinary people in  was ritually  renewed each year in order to
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                                                   litter transports.  These ordinary individuals  replace with pure fire the old one, which had
                                                   belonged to low-ranking families. Although  absorbed the pollution  generated by the com-
                                                   enormous differences  in wealth and privilege  munity  over the preceding year.
                                                   were associated with family rank, each society  The dead held such a potent  place in  the
                                                   was bound together  into two complementary  affairs  of the  living that  certain objects were
                                                   family groups having reciprocal obligations  to  created to draw upon that power.  Pottery ver-
                                                   each other.                                sions of stone and wooden shrine figures, made
       fig.  2.  The Natchez Chief Great Sun Being Trans-  A small minority  of carefully  selected and  in the Arkansas area, appear to be  embodiments
       ported on a Litter
                                                   trained individuals controlled the rites and para-  of the very dead whose remains were kept in
                                                   phernalia belonging to the sanctified shrine.  the town shrines.  Ceramic pots were modeled to
       some sense alive. The contemporary Tukabah-  Rites were entirely  secret.  Typically, transgres-  resemble human heads, essentially  those of dead
       chee Creek, who no longer maintained a sacred  sions such as allowing the  sacred fire to become  men (cat.  435). Marine shell masks with  thun-
       shrine house, nevertheless  brought  their image  profaned with  ordinary  fire were punished by  derbolt markings descending  from the  eyes like-
       out into the town  square to consecrate impor-  death —an indication of the  awful jeopardy into  wise have mortuary  associations.  These masks
                      13
       tant public affairs.  Although  these images gen-  which the entire community  was believed to be  were widely employed in the  sixteenth  century,
       erally were of males, along the  Mississippi River  placed by this infraction. So bound up with  the  and from  later testimony  we know that they
       female figures were reported and among the  health and well-being of the  community were  were the principal components of the sacred
       South Appalachian cultures these images were  these sacred flames that when calamity struck,  bundle, a kind of portable shrine carried on the*
       paired, one male and the other  female. 14  the custodians of the  fire were expected to take  warpath. 17
       Differences  in representation probably  reflect  the blame.                             In this context  the  commentary  of El Inca
       differing  conceptions regarding descent  from  The sacred fire was no ordinary fire  since it  describing the southeastern  religions is quite
       the gods.                                   was conceived as being kindled by the sun. As a  understandable.  Since the  gods were connected
         The ruling family held a preeminent social  representative of the  sun on earth,  for each  with the most sacred forces  relevant to social
       status through  its genealogical descent from  the  town it defined  the  center of the universe.  The  life,  religious rites could be kept simple and
       town founder. As a consequence, the  chief was  four directions branched off this center, and a  guided entirely  by the worship of the tribal
       the principal if not  the  sole person having access  fifth  was created by the  ascent of smoke to  the  leaders. Because these deities were extensions
       to the shrine's inner  sanctum.  From this priv-  heavens of the upper world.  The four  directions  of tribal kinship, it was logical to expect  the
       ileged position he acted as mediator between  were commonly represented by four  logs set  senior representatives of the tribe to arrogate to
       the deity—the sun —and the general popula-  pointing to the center where the fire  slowly  themselves the propitiation  of their own ances-
       tion.  He held esoteric sacred knowledge shared  burned. In keeping with the importance of the  tor gods.
       only among a small group of priestly  officials. 15  sacred fire  as an embodiment of the  life  force,  The rites of the privileged minority  were a
       A group of "nobles" from  second- and  third-  each town maintained its own fire under the  special refinement on generally espoused beliefs
       ranking families shared some of the  preroga-  care and protection of the  highest ritual practi-  about the powers of nature that impinge upon
       tives held by the  ruling  family. All of the  elite  tioners.  The authority that the elite, as custo-  everyday  existence.  The task of ritual,  whether
       were distinguished from  commoners in deport-  dians of the  town's power, took from  this  life  under priestly  control or not, was to maintain



























        fig.  3.  Neck Ornament.  Engraved shell, c.  1400-  fig.  4.  Mask of the Ancestor Spirit  (?). Carved and  fig.  5.  Gorget.  Engraved marine shell, c.  1500-1600.
        1500.  The looped square frame  is a transformation of  engraved in marine shell, c. 1500-1600. Lightning  The motif is a rattlesnake's head within its coils. The
        the litter in fig. 2                       bolts of the thunderers descend from the  eyes  teeth in the jaws suggest the cougar



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