Page 589 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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438
                                                                                               PLATE  WITH  WARRIOR'S  HEAD


                                                                                               1000-1200
                                                                                               Cahokia culture?
                                                                                               repousse  copper
                                                                                               24 x  17.4  (y /8  x  6 /s)
                                                                                                            7
                                                                                                       3
                                                                                               Ohio Historical  Society, Columbus

                                                                                               This fragment of a larger copper plate is one of
                                                                                               several that were found together,  presumably
                                                                                               from  the great mortuary  at the base of the Craig
                                                                                               Mound at the  Spiro site in eastern  Oklahoma.
                                                                                               This piece and most of the  contents of the  deposit
                                                                                               were objects retrieved from  old graves and placed
                                                                                               in a massive ossuary around A.D.  1400.  The
                                                                                               present fragment was originally part of a large
                                                                                               geometric copper tablet that was mounted  as a
                                                                                               frontlet  in a headdress, a small version of which is
                                                                                               sculpted in cat. 440 (Brown 1976). A burial at the
                                                                                               Etowah site indicates that  some of these copper
                                                                                               headdresses  achieved a length  of 35  centimeters
                                                                                                 3
                                                                                               (i3 /4 inches) (Larson 1971, 62). Sometime  in its
                                                                                               history the central  repousse  image of this example
                                                                                               was cut free  from  its copper background, possibly
                                                                                               at the time of reburial in the great mortuary  ossu-
                                                                                               ary.  The details of dress and style of presentation
                                                                                               of the warrior place this piece in the  thirteenth
                                                                                               century or earlier.                j. A. B.

        437
                                                   and engraved with the  figure of a bird-man.  The
        ENGRAVED   CUP                             style of engraving, which is indigenous to  the
                                                   Caddoan area of eastern Oklahoma and  Texas,
        C. 1}00                                    dates the  cup to around 1300  (Phillips and Brown
        Caddo  Mississippian  culture
        shell                                      1984,  pi. 203).
                         l
                              2
        approx.  13 x 30 x  18 ($ /s  x ii /4 x  jVs)  The human  figure is costumed  as an  imperson-
                                                   ator of the  falcon  or some other hawk. This ritual
        National Museum  of  the American Indian,  role was important  in the early centuries  of the
        Smithsonian Institution                    Mississippian period (Detroit  1985).  The spread-
                                                   eagle stance of the figure has more to do with  the
        Plain sea shells found their way by trade to  the  conventions of this artistic school than it has with
        interior of the continent,  where they were  fabri-  the actual appearance of the costume or the per-
        cated and decorated in the  style of their  owners  formance of any ritual.  The figure's hawk parts
        at the time.  This cup was made by removing  the  are mainly the beak, the stylized wing feathers,
        interior columella or whorl of the  shell of the  and the  large hawk tail.  The human elements of
        lightning whelk (Busycon  sinistrum).  Two well-  the costume include the gorget,  columella pendant
        preserved perforations, at the tip and at the back  necklace, ear spool, beaded forelock, plume head-
        of the  spire, were made to attach a bail.  It is one  dress, and large heart-shaped apron. Brickwork
        of hundreds of shell cups that were found in Craig  bead bands that  adorn the headdress, neck, bird-
        Mound at the  Spiro site in eastern  Oklahoma  arms, and legs are standard marks of wealth and
        (Burnett  1945). The exterior  has been  smoothed  indicate the  elite  status  of the  figure.  j. A. B.
















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