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                   1.   David R. Peterson (1994), "Acoustics of the hammered dulcimer, its history, and recent
                       developments", Journal of the Acoustical Society of America 95 (5), p. 3002.
                   2.  ^ Pollens (1995, Ch.1)
                   3.  ^ Scholes, Percy A.; John Owen Ward (1970). The Oxford Companion to Music (10th
                       ed.). Oxford and New York: Oxford University Press. pp. lvi. ISBN 978-0-19-311306-0.
                   4.  ^ Ripin & Pollens 2001, ¶2.
                   5.  ^ Wraight, Denzil (2006). "Recent Approaches in Understanding Cristofori's
                       Fortepiano". Early Music. 34 (4): 635–644. doi:10.1093/em/cal050. ISSN 0306-
                       1078. JSTOR 4137311. S2CID 191481821.
                   6.  ^ Pollens, Stewart (2013). "Bartolomeo Cristofori in Florence". The Galpin Society
                       Journal. 66: 7–245. ISSN 0072-0127. JSTOR 44083109.
                   7.  ^ Ripin & Pollens 2001b, ¶1.
                   8.  ^ Jump up to:    Powers, Wendy (2003). "The Piano: The Pianofortes of Bartolomeo
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                       Cristofori (1655–1731) | Thematic Essay | Heilbrunn Timeline of Art History | The
                       Metropolitan Museum of Art". New York: The Metropolitan Museum of
                       Art. Archived from the original on 17 October 2013. Retrieved 27 January 2014.
                   9.  ^ Isacoff 2012, p. 23.
                   10. ^ Jump up to:    Badura-Skoda, Eva (2000). "Did J. S. Bach Compose "Pianoforte
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                       Concertos"?". Bach. 31 (1): 1–16. ISSN 0005-3600. JSTOR 41640462.
                   11. ^ Palmieri, Bob & Meg (2003). The Piano: An Encyclopedia. Taylor & Francis. ISBN 978-
                       0-415-93796-2.. "Instrument: piano et forte genandt" [was] an expression Bach also
                       used when acting as Silbermann's agent in 1749."
                   12. ^ Rowland 1998b, p. 23.
                   13. ^ "The Viennese Piano". Archived from the original on 11 October 2008. Retrieved 9
                       October 2007.
                   14. ^ Kennedy et al. 2012, "Fortepiano".
                   15. ^ Hamilton 1998, p. 62.
                   16. ^ Petersen, Sonja (2013). "Craftsmen-Turned-Scientists? The Circulation of Explicit and
                       Working Knowledge in Musical-Instrument Making, 1880–1960". Osiris. 28 (1): 212–
                       231. doi:10.1086/671378. ISSN 0369-
                       7827. JSTOR 10.1086/671378. S2CID 143443333.
                   17. ^ Giordano 2010, p. 118.
                   18. ^ Cole 2001, ¶8.
                   19. ^ Rowland 1998c, p. 45.
                   20. ^ Jump up to:      Rowland 1998c, p. 44.
                                    a b c
                   21. ^ Jump up to:      Rowland 1998c, p. 47.
                                    a b c
                   22. ^ Richardson 1998, p. 99.
                   23. ^ Fletcher & Rossing 1998, p. 353.
                   24. ^ Isacoff 2012, p. 74.
                   25. ^ Jump up to:    Rowland 1998c, p. 43.
                                    a b
                   26. ^ Jump up to:    Dolge 1911, p. 124.
                                    a b
                   27. ^ Dolge 1911, pp. 125–126.
                   28. ^ Ripin & Pollens 2001a, ¶4.
                   29. ^ "Piano à queue" (in French). Médiathèque de la Cité de la musique. Archived from the
                       original on 19 April 2014. Retrieved 5 April 2014.

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