Page 48 - Orient Collection
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18.  The Woman with a VEIL


          Artist: Jean Léon GÉROME, French, (1824 - 1904)
          Execution date (approximate): 1870
          Téchnique: Golden Bronze with Head, Arms and Feet in tinted Ivory, Excelent Patina.
          Measures: Height 66 cm.
          Description: A sculpture in excelent state of conservation. Signed on its Base with No.232F.
          Inscriptions on base: “A notre excellent ami Ed.Mény souvenir affectueux et reconnaissant
          d’âme fidèle et précieuse collaboration. J.P.Peter – P.Peters & Cie”.


          Exhibitions
          Royal Academy of Arts in London, in 1870, 1871, 1888, 1893, Dictionary of Contributors and
          their work from its foundation in 1769 to 1904,Vol. III, p.226.
          De Delacroix A Kandinsky; L’orientalisme En Europe.
          Musées Royaux des Beaux-Arts de Belgique        15.10.2010 - 09.01.2011.
          Kunsthalle der Hypo-Kulturstiftung, München     28.01.2011 - 01.05.2011.
          Musées des Beaux-Arts de Marseilles,                   27.05.2011 - 28.08.2011.
          (Reunion des Musées Nationaux de France, rmn)


          Publications
          •  L’Orientalisme En Europe, De Delacroix A Kandinsky, p. 83.


          Biography
          Jean-Léon Gérôme was one of the most famous French painters of his day. He went to Paris
          in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy (1843–44).
          He visited Florence, Rome, the Vatican and Pompeii, but he was more attracted to the world
          of nature.  On his return he, like many other students of Delaroche, went into the atelier of
          Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts
          and finished his studies in 1846.
          In 1851, he decorated a vase that Emperor Napoleon III of France gave to Prince Albert which
          is now part of the Royal Collection at St. James’s Palace in London. He exhibited Bacchus and
          Love, Drunk, a Greek Interior and Souvenir d’Italie, in 1851; Paestum (1852); and An Idyll (1853).
          In 1856, he visited Turkey and Egypt for the first time. This would herald the start of many
          Orientalist paintings depicting the Arabic scenes and North African landscapes.
          Gérôme’s reputation was greatly enhanced at the Salon of 1857 by a collection of works: the
          Duel, (Musée Condé, Chantilly), Egyptian Recruits crossing the Desert, and Camels Watering. In
          1858, he helped to decorate the Paris house of Prince Napoléon Joseph Charles Paul Bonaparte
          in the Pompeian style.
          His Orientalist paintings were based on photographs taken during his trips. The Orient that
          Gérôme depicted was dreamed up by Victor Hugo in 1829 in his poetic work Orientales, and
          his authentic images expressed a view of the Orient as a place of sensuality and violence.
          Gérôme succeeded in painting an image of the Orient that was immutable, untouched, and
          presented for a western audience.





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