Page 31 - Gothic
P. 31

Painting with oil on canvas did

        not become popular until the

        15th and 16th centuries and was
        a hallmark of Renaissance art. In

        Northern Europe the important

        and innovative school of Early

        Netherlandish painting is in an es-
        sentially Gothic style, but can also

        be regarded as part of the North-

        ern Renaissance, as there was a
        long delay before the Italian reviv-

        al of interest in classicism had a                   from the realistic detail they could

        great impact in the north. Painters                  now include, even in small works.
        like Robert Campin and Jan van                       In Early Netherlandish painting,

        Eyck, made use of the technique                      from the richest cities of Northern

        of oil painting to create minutely                   Europe, a new minute realism in oil
        detailed works, correct in per-                      painting was combined with subtle

        spective, where apparent realism                     and complex theological allusions,

        was combined with richly com-                        expressed precisely through the

        plex symbolism arising precisely                     highly detailed settings of religious
                                                             scenes. The Mérode Altarpiece

                                                             (1420s) of Robert Campin, and the

                                                             Washington Van Eyck Annunci-
                                                             ation or Madonna of Chancellor

                                                             Rolin (both 1430s, by Jan van Eyck)

                                                             are examples.[14] For the wealthy,
                                                             small panel paintings, even polyp-

                                                             tychs in oil painting were becoming

                                                             increasingly popular, often showing
                                                             donor portraits alongside, though

                                                             often much smaller than, the Virgin

                                                             or saints depicted. These were usu-
                                                             ally displayed in the home.
   26   27   28   29   30   31   32   33   34   35   36