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JINGZUO                           575

                   A manual by the Taoist Master Liu Yuandao ru 5(; J1I  (fl. IlO0-1I25) is among
                the earliest texts on *Lingbao ritual to contain floor plans for an oratory (fig.
                50). Depicted inside are two items, a scripture stand located near the east wall
                and a mat facing it. Incorporated in the diagram are guidelines for pursuing
                devotions centering on recitation of the *Durenjing (Scripture on Salvation).
                The accompanying text supplies a step by step account of the private ritual,
                beginning with the devotee's entrance from the south. Homage to the scripture
                invites the vision of embarking on a journey to and from the celestial realm
                while seated within the oratory.
                   Diverse teachings on contemplative practice apply the word jingshi or
                cognate terms to the *dantian (Cinnabar Fields) within the body. Depending
                upon the context, the compound rujing A~ (lit., "entering quiet"), moreover,
                may mean to enter either an oratory or a state of tranquillity. SpeCialists in
                contemporary liturgy also speak of the jingshi as the internal retreat to which
                a Taoist Master takes refuge during ritual performances. The jingshi, both in
                its concrete and metaphoric usage, is thus viewed as a complement to the tan
                jfl , or sacred space where liturgy is staged.

                                                                   Judith M. BOLTZ
                m Ishii Masako 1987; Schipper 1993, 91-99; Stein R. A. 1963, 70-72; Strickmann
                1981, 149-52 and 171-72; Yoshikawa Tadao 1987
                * huandu



                                             jingzuo




                                           "quiet sitting"


                Jingzuo is a technical term in Confucianism used to indicate a form of medita-
                tion that consists of quiet reflection while in a formal kneeling posture or, more
                recently,  while sitting cross-legged or on a chair. The same term also  com-
                monly appears inJapanese, where it is pronounced seiza and means "to kneel
                formally." Here the posture is ubiquitous-as it was in ancient and medieval
                China-in all sorts of formal occasions. More technically, seiza also indicates a
                form of Shint6 meditation in which, probably under Taoist influence, attention
                is focused on the lower Cinnabar Field (*dantian) in the abdomen.
                   In Taoism, the term jingzuo is secondary to other expressions denoting dif-
                ferent forms of meditation, and was probably taken over from Confucianism
                (Chan Wing-tsit 1989, 255-70; Gernet 1981). In fact, it only appears prominently
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