Page 109 - The Wellington photographic handbook
P. 109

This is easily done, as the picture is, of course, quite visible.  The
        enlargement is then put back into the developer until the clouds
        have developed, and is then fixed in the ordinary way.
           This method should not be used if sulphide toning is contem-
        plated, as there will always be a risk of the landscape, by reason
        of the long development  it has undergone, toning to a colder
        colour than the sky.

                     BOLTING SILK IN ENLARGING.
            Some very effective enlargements may be made by the help
                                          "    "
        of a material known as " bolting silk  or  bolting cloth," and
        sold under that name by most of the large photographic dealers.
        It  is a fine even textured fabric, made primarily for sifting or
        bolting flour.  A piece a little bigger than the largest enlargement
        that is to be made should be obtained and stretched on a frame, or
        else mounted by its edges to a clean piece of glass, for protection.
        It is used by being placed just in front of the bromide paper, on
        the easel.  If it is placed with the bolting silk in contact with the
        bromide paper it breaks up the image into a series of little dots
        something like a very fine half-tone picture in a magazine.  This is
        useful if the original negative is too harsh in its contrasts, as the
        deepest shadows do not then come so black and the result is more
        harmonious.
            If it is separated from the bromide paper by about the thickness
        of an ordinary sheet of glass, this texture can no longer be seen,
        but the effect is to soften the lines of the picture.  The further
        it is from the paper the greater will be the diffusion, and in this
        way any degree of softness that may seem necessary can be secured
        at  will.
            It is quite a different softness from that got by leaving the
        picture out of focus, and is often the making of an enlargement,
        which without some such device would be cuttingly sharp.  It also
        hides pinholes and other  slight blemishes on the negative.  A
        magnificent  effect can be secured from a suitable negative by
        enlarging very considerably on WELLINGTON Cream Crayon
        paper, using bolting silk to soften the definition, and then sepia
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