Page 36 - Love of Music St. Louis Magazine
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Jimi Gunns’ Brewhouse Music Studios


           LOM Staff Reports
           Being a musician means needing a space to house the   or night.   Rooms are rented on a monthly basis with the
           tools of trade.  It’s also handy if you can find a spot that   first and last month’s rent paid up front at the contract
           is far enough away from complaining neighbors so that   signing.
           you can use those tools at the volume level they were
           designed for.

           Jimi  Gunn  used  to  run  a  band  rehearsal  space  and
           recording studio called the  Skoolhouse Studio in  an
           abandoned school house on South Grand.  As space
           started to fill, Gunn looked for something roomier.  The
           solution came in the form of the abandoned warehous-
           es in the Lemp Brewery.  Christening his new residence
           as Brewhouse Music Studios, Gunn relocated to the

                                                                  Jimi Gunn, Family man, Entrepreneur, Environmentalist.

                                                                 The  Lemp  Brewery  is  also  home  to  Brewhouse  Music
                                                                 Studios,  a  full-fledged,  professionally  built  and  bal-
                                                                 anced  studio.    Gunn  owns  top  notch  outboard  gear
                                                                 from Neumann mics and an Avalon preamp to Yamaha
                                                                 NS10M studio monitors and Avid Pro Tools to achieve
                                                                 the top-quality sound that you are looking for to cap-
                                                                 ture your performance.  Brewhouse Music Studios also
                                                                 specializes in professional  mastering,  an often over-
                                                                 looked but vital component of the  recording process
           historic  spot  and  set  up  shop  in  the  brewery  as  the    that brings your recording up to the volume and the
           rental space All Night Rehearsals.  Bands can make use   quality standard that is prevalent in the music industry.
           of the historic neighborhood and commercially-zoned   Those who are in the know also use Gunn as the go-to
           location to achieve ear-splitting levels at any time, day   for vinyl mastering and pressing services.



          Reggie and the Full Effect Missouri’s American Rock Band
           LOM Staff - Wayne Bell
           A Saint Louis original (Des Peres) and                               Audience members are constantly sending
           now a Kansas City Favorite, born the                                 drinks to the stage. Also known as Common
           son of a Methodist minister running                                  Denominator and Fluxuation, Reggie’s associat-
           the streets of St. Louis County. What                                ed acts run from Slipknot to Chemical Romance
           is the Full Effect Reggie? An Amer-                                  and New Found Glory. With songs from What
           ican rock band, the solo project of                                  the Hell is Contempt, Get Well Soon, Take Me
           James Dewees, keyboardist for The                                    Home Please, to Your Girlfriends Hate Me, there
           Get Up Kids having released seven                                    will never be a pause in the entertainment when
           full-length albums, the latest in 2018,                              Reggie takes to the stage. The band is currently
           and has toured with various associat-                                on their multi city 2018 tour.
           ed acts. Alternative rock, pop punk,
           emo and post-hardcore makes for a
           diverse show with audience members                                   James Dewees – lead vocals, piano, keyboards,
           occasionally stripping down and                                      synthesizers (1998–present); drums (1998–2004)
           throwing their clothes onto the stage.  From the moment of taking the   Jeramiah Pauly – lead guitar, backing vocals,   Lance Claypool –
           stage Reggie engages the audience with conversation, keeping them   rhythm guitar,  Vincent Caito – bass guitar,  Michael Hansen – drums
           in the palm of his hand until the last song plays.

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