Page 54 - BFM F/W

WATCH / A BLUEPRINT FOR CHANG E
BFM / F W25 82 t t c e g 2 The r sult is a st uctur ,
re urpos 20 -year-ol Ven ti y part from r cy le Murano g ass crap ili xper en e the pa ilio ,” m Issoufou s ft, b tal oca rch an cr ft, b t p rhaps to even conditions in their corner of the world.”
i s Th pavili n also cts s a st pe e,
ti co trib ti n t the fiel of rchitectur ch e b ect hich lso e tends to cinema nd m yea m.
rom
a oun l t s g he world with leade s in th o erv erv n li ht of th s, the Rolex pavi ion at e m t ,
e y s
as a s e m t ,
e y ning room f r The Va ue
who was p ected by
L ane e-A menian arch tect Ari er
P ze–winn ng archi ect Ann .
While ut the d nsely popu ated Be ut ap e
film docume ts her ongoi g work to im co im s
into spa tex a fro i .
While th r a haoti urb n co m
the ord rly env rons of th Bien ale, lt
pa il ho o a u c y d and Apraha ian’s archite v the d
creates co versation ab ut s in the he
mode n w rld. “Ar ne’ work s archit cture,” Issou ct ou r says “Her spat neig bo is rho d show th t as arc th d
i d
intervene; t ere s great alu in and work
w th what alre dy ex sts ion che ion che Inside he pavi ion che the Ven er fo nat f i s
of t ees o er fo ead befo illum nat f i t e e e
inter or serene other orldly f l th l in t
exper nti l in tallation par pr r of of h esi th esi th es
as a tag ner fo for esi th tag ner fo with eas for ls ther
it’s fi s ding new us s for century s f ty, ght un o s s ed
s ructur s f ty, ght r the good of a com un the the the Rolex av lion at the enice Bienna