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include unusual words, or words that have a strong phonological content,
                               with interesting rhythms or sound that are onomatopoeic.

                           c.  Alliteration
                               Alliteration is the use of words that have the same initial consonants.

                           d.  Contrast

                               Stories for children often contain strong contrasts between characters or
                               actions or setting.

                           e.  Metaphor
                               Bettelheim (1976) suggests that our early experiences with fairly stories

                               map subconsciously on to our real-world experiences, and become a kind of

                               script for our lives.
                           f.  Inter-textuality

                               This term used to describe making references within one text to aspects of
                               other texts that have become part of shared cultural knowledge.

                           g.  Narrative / Dialogue

                               Within a story, we can distinguish two main uses of language: for narrative
                               and for dialogue.


                         E.  Quality in Story

                               A good story is, at one level, simply one that listeners or readers enjoy.
                        However,  stories  that  appeal  more  than  others,  and  that  remain  favorites  with

                        children and parents over many years, do demonstrate some common features that

                        can be identified as characterizing quality. Quality stories have characters and a plot
                        that engages children, often the art work is as important as the text in telling in the

                        story, and they create a strong feeling of satisfaction when the end is reached.
                        However, not all good stories will be automatically good for language learning, and

                        we now move to think about what is involved in choosing and using stories not just

                        for pleasure, but for (pleasurable) language learning.











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