Page 114 - the foreign language of motion
P. 114

Journal of the Performing Arts, 17(1), 1-8.
Pakes, A. (2009). Knowing through dance making: choreography, practical knowledge and practice-as-research.
Contemporary Choreography, A Critical Reader. (J. Butterworth and L. Wildshut, eds). Oxon: Routledge. Phelan, P. (1993) Unmarked: the politics of performance. Routledge: London.
Quack, D. (June 2004). The Grain of a Duck’s Voice. Performance Research: A Journal of the Performing Arts,
9(2),132 - 141.
Ribeiro, A. S. (2004). The reason of borders or a border reason? Translation as a metaphor for our times. Eurozine,
May 2004, Retrieved from http://www.eurozine.com/articles/2004-01-08-ribeiro-en.html
Schneider, R. (2008). The Document Performance. The Live Art Almanac. (D. Brine, ed.). London: Live Art UK. Simon, L. (1994). Gertrude Stein Remembered. Nebraska: University of Nebraska Press.
Simon, J. (2006). Ann Hamilton An Inventory of Objects. New York: Gregory R. Miller and Co.
Smith, S. (2006). Materials for the Spine Workshop.: Workshop in Contact Improvisation. Orvieto: Zip Festival. Solnit, R. (2006). A field guide to getting lost. Edinburgh, Canongate Press.
Spivak, G. C. (2000). The Politics of Translation. The Translation Studies Reader.( L. Venuti, ed.). London: Routledge. Wright, F. (2002) uncertain bodies: fragments. Performance Research: A Journal of the Performing Arts, 7(4), 88-91.
88























































































   112   113   114   115   116