Page 161 - Some Dance to Remember
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Some Dance to Remember                                     131

               and the first to leave.”
                  “The doc,” Thom said, “told me and mom that he could go on like
               this for an hour or a year.”
                  “We all know that,” Kweenie said. “Every episode he’s had has been
               like that.”
                  “I have a wife and kids,” Thom said. “I have to live my life.”
                  “So do I,” Kweenie said, “but I don’t make up excuses to cover my
               selfishness. You’ve always hated it here. You’ve always hated us. You even
               hate yourself.”
                  There was no stopping Thom. He said good-bye to Charley-Pop and
               kissed Annie Laurie and headed for the airport.
                  Ryan was pleased. With Thom gone, he had their old room with the
               big bed to himself. In the darkness of the Midwest night he sprawled
               across his faded Roy Rogers bedspread with his cock in his hand and
               visions of Kick in his head. Masturbation seemed unholy with his father
               unconscious and his mother asleep down the hall in her room. But cum-
               ing felt like being alive.
                  He wrote November 1, 1979, in his Journal:


                      Some Halloween yesterday in this horror show of a hospital.
                  I’m a pervert, not because I’m sexual, but because I’m a writer. I
                  want to be here when he dies, not only because I am his son, but
                  because I want to watch his face, his breathing, the twisting of
                  his body. I want to remember the look on his face and the look
                  on my mother’s face. I don’t want him to die, but if he has to die,
                  I want to watch. I want to know the sights, sounds, and smell
                  of his Death. A father’s Death is always a sneak preview of the
                  son’s. I want to comfort him. I want to know what I will feel in
                  those last moments watching the man whose seed I am slip away
                  forever. I make no apology. I am what I am. I got that from Walt
                  Whitman, not Popeye or Harvey Fierstein.

                  Ryan waited another four days. Charley-Pop remained unconscious
               but stable.
                  “It’s for you,” Kweenie said. She handed him the phone.
                  “Kick!” Ryan was surprised. “Of course, I can come.”
                  Kweenie looked astonished. Kick couldn’t possibly be pressuring
               Ryan into returning to San Francisco.
                  “I need you, coach,” Kick said. “You don’t have to do this, but I’m
               asking you this. I’ll never ask you for anything again.”

                        ©Jack Fritscher, Ph.D., All Rights Reserved
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