Page 262 - Some Dance to Remember
P. 262

232                                                Jack Fritscher

               “I do live for you. You have no idea how much I live for you.”
               Kick pulled Ryan close to him. He kissed Ryan’s cheeks. He put his
            moustache against Ryan’s moustache. Their lips touched. Ryan held tight.
            He felt Kick’s baseball biceps knot around him and pull him into his mas-
            sive chest. He knew this was the way it was supposed to be. His very breath
            was squeezed from him. Kick’s tongue darted through Ryan’s moustache,
            parted his lips, passed through his teeth, and slid down Ryan’s throat.
               “Oh, God!” Ryan breathed.
               This was no joke. Lichtenstein’s cartoon balloons, filled with Benday
            Dots, appeared above their heads.
               “We’ll be together forever,” Kick said. “I promise. However life takes
            us, we’ll always be together.” He held Ryan’s jawline in both his iron-
            calloused hands. “I’ll never leave you but once,” he said. His blue eyes
            pierced Ryan’s soul. “And that will be when I die.”
               “Oh, God! I love you!”
               If ever Ryan were ordained a priest, his ordination was that night
            in the swirling mist, anointed not by some Roman cardinal, but by the
            southern bodybuilder who held his face in his hairy blond hands and
            breathed immortality into his soul.
               “You are,” Kick said, “my lover forever.”
               “And you are mine.”
               That night on that rooftop something happened.
               It was bonding.
               It was marriage.
               “It was just another cheap balcony scene,” Solly said.
               I harbor a suspicion that the truth is cornier than we think until the
            moment when we find ourselves inside some truth that is stranger than
            fiction. Ryan was a child of the movies. He lived cinema. The way he
            described the rooftop scenario moved me profoundly.
               Imagining that scene, I genuinely wanted to have been seated behind
            a Panaflex camera in a helicopter that would lift off from the two of them
            on that roof, holding on them in each other’s arms in slow motion in the
            mist, while the camera rose and they grew smaller and smaller, shrinking
            against the night, as the rooftop took reference from the intersection and
            the intersection from the Castro and the Castro from the City and the
            bright City from the darkness of land and sea until the Earth itself stood
            majestic against the full moon.

                                          11



                      ©Jack Fritscher, Ph.D., All Rights Reserved
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