Page 19 - Faces of AIDS: 102 Portraits
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that the Eagle yank Wigler’s politically           something personally compelling in
            incorrect icons off the walls prefiguring          his roster of famous public icons like
            the exact way the fundamentalist                   Donnie Russo, Michael Pereya, Guy
            United States Senate would soon yank               Baldwin, Brian Dawson,  Rob Marvin,

            Mapplethorpe’s icons off the walls of              Mike Torkildson, and Colt Thomas,
            museums.                                           the fifth International Mr. Leather,
                                                               whom he made translucent and
            What had been a pop-culture, esthetic,             transcendent on Drummer magazine’s
            and timely queer inquiry into BDSM                 most beautiful cover. In fact, if ever
            ritual and psychology—the erotic                   there was one supremely perfect
            attraction-repulsion fetishes around               Wigler cover photograph, it is his
            death—was suddenly censored. Like                  color shot of the sun-drenched Colt
            Mapplethorpe, Wigler and his authentic  Thomas on Drummer 126 (March 1989)

            1980s cultural iconography were caught  that was published the week Robert
            in the wrong place at the wrong time               Mapplethorpe died in a dark storm of
            by panicked people who were reacting               censorship.
            against everything erotic enjoyed during
            the AIDS-free 1970s. Undeterred,                   Wigler’s fin de siecle work is a graphic
            and not to be erased, Wigler undercut              encyclopedia of the faces, facts,
            pretense, persisted with his truth, and            and fantasies of homomasculine
            survived the gay culture war.                      leather culture from its gestation in
                                                               Marlon Brando’s The Wild One in the
            Forging ahead to self-fund his Faces               1950s, to its liberation in the 1970s,
            of AIDS project, he shot dozens of                 to its disruption in the 1980s, to its

            erotic videos for companies such                   resurrection in the twenty-first century.
            as Hot House and Bear magazine’s
            Brush Creek Media. When he snapped                 It is precisely the frisson of Wigler’s
            Gunner Robinson for his first of thirty-           erotic art that adds even more living
            four Drummer covers (issue 57, October  breathing humanity and celebration to
            1982), he joined a sleek Drummer peer              his elegaic Faces of AIDS.
            group of cover photographers including
            Robert Mapplethorpe, Lou Thomas,                   —Jack Fritscher, Editor-in-chief,
            Jim Moss, Victor Arimondi, Robert                  Drummer Magazine

            Pruzan, Rose de Castro, and Charles
            Gatewood; and he shot arguably                     Jim Wigler shot the cover photographs for 34
            some of the best covers international              Drummer issues which may be viewed at An
                                                               Historical Perspective of the Covers, Mastheads,
            Drummer ever published.                            Contents, and Staff of Drummer Magazine:
                                                               57, 59, 60, 62, 63, 66, 67, 69, 70, 71, 74, 75, 109,
            Besides his knack for portraying                   110, 122, 126, 132, 133, 136, 137, 139, 141, 142,
            perfectly shot and perfectly hot private           143, 146, 147, 148, 150, 151, 152, 181, 202, 209,
                                                               210
            guys, Wigler excelled at revealing
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