Page 161 - An Historical Perspective of the Covers, Mastheads, Contents, and Staff of DRUMMER Magazine

Alternate Publishing: John H. Embry, Publisher; John W. Rowberry, Associate Publisher
Robert Payne, Editor; Steven Saylor, Associate Editor

(f}~ (d)Jff pl
·11 a man (foes 1101 keep
pace w1111 his comprm •
ions. perhaps 1/ 1s Unlike in Nt'"' York (both city and
bt!causc he hears a d1I· ~IJtc). tiJ)"> .ind llbcr;ils 1n C.illfor n1.1 h.M.~
lerenl drummer Let /)1m ju!>t .1bou1 gollf'n .i g<1y·riglm bill pJ~)NI
step to mo music which • ., .. ,..,.""", ........ , fhe Democrat' m 1he StJIP ~enatc
he 11oa1s. however meo- pu\hcd 11 through O\lt•r thl' dt•.ic.I botllt•-.
suretf 01 fat away ot Lhc Republicans 22 10 16.
Henry Davtd Thoreau Tht> Bible thumpcn Wl'rc 1her~" ot
course. \pouung ancirnt Judean law and
)fWJk1ng on bchJlf ol C.CKI I II ms<' If,
Before thl' 'imokc clcarC'd away. rhrre
w.ts a ;uqlri~l' or lwo. 01 the mC'tt' lour
6 MALECAU/ OEAR SIR Rc1lubhc.m\ lo vote fort he riHhh bill, orw
Mur<' f,m m.>il for the D.I ... mcl some.• Finn mJil tu bovt wJs the h1.-rl'loforc.> homophobic lormer
puhc<• ch1cr or Lm An1wll'\. Scn.1101 tel
8 I WAS LOANED OUT TO BE USED FOR AN EXPERIMENT!
Robert Payne reporh the 'ldrlling ca\e of c1 young le.llhcrma11 trc11h- 0.lVh, tht' tNrur of the g.1y lOmrnunlly
_formccl into a livmg 1 breathing, writlm1g work of arl. tlur111); Ill!> yctll!> in pohlc work.
I It' ('\l(•n madi• .i .. t.>IC'ml!nl or 1wu. I l e
20 SPECIAL PREVIEW: DOWN, WHITE BOY! dc~c1 il>ed how the Christi.in upponcnts
An exclu\ivc advance look at the liullc't hart/cure p1c1ure IJonk of or the bill thrcJlent.!d him if h(' 1101cd for
1984. Why do blonde, J/ways have mot<' fun? ii. He described a c:all hom J "Chri)t1an"
~~~~~~~~~~~-
24 DRUMSTICKS KcC'p ~miling throug/l the Pi!.!!.'·.· ~------ wom.H\ With the n1C"·~·l8C I h.11 ••• bctJU~C'
I'm a Chrblian. I have to love
25 KINK by August Smith homo~cJCual~. ••
You m.1y Inv" 11 or hare ii. b1 JI you·11 fine/ it han / 10 'hakr I hl' nwmory ''You love 1hcm, but you \tilntl' thcrn to
of Cyru), <111<1 Kink. dllc/ Si tcr Mary Ab\olute. dt'Jlh," Oa11h s.11d, .rnd .iddeu. "We r.in·
30 TO HAVE ANO TO HOLD by Tim Barrus nol hJvP unc br.tn(h t.1f f.il1h rnJkrni; mir
Oomi11a1io11 carried to 1hc ~evct<'\I <l~WC'C'-aml the aftermath. A IJw( for U\, Cod mu\t be• thowuBhly dl\-
story lo blow you away. Click, click, click . .. gu~tN.I 1JI \OOll' of the I hing!> WC' do in the
n,1mv of wllg10n." Whu would h.wr
38 THE COLLAR by Lars
thought th.it DRUMMER would lw quol·
Per1wtual bol)dagc: it staflcd .1} a ~e111/cman\ Jg1 eemcm, al- mg the w1~dom of tht." mJn who once !>Cnl
mosl a joke. /IC' lia<I pl<'nty of time to real in: flil, mi\takc ..•
at le,})t 107 l.A. policl•m<:n to breJI.. Ull tht>
41 COUNTING: A HEAVY TRIP by Ro~rt Chesley leJthcr f r.itcmity\ dlJI lly 'tfilVC dUCI ton/
Start at 1/1e beginning. Keep coun<ing to 1hc end . . . Now thl' bill i~ w.1i1ing to b • '>igned,
43 LEATHER NOTEBOOK VPION.I, m ignored by chc r1ghr-wir1g gov
S&M advice from our Q&A man. cmo1, who h.i~ been c:awlul to CJC('H'~" no
op1111on .iboul 11 to rlatc'.
45 PROTECTIVE CUSTODY It would \ecm 1ha1 1hf' term "gay
TliC' ldt"'' tJi,covery from /eu,. thi~ mmdC>bormc/ punk "·" bet•n Rrpubl1t.an'' 1~ .i\ wll-c.111ccll1111¢ .i~ 1~
wcurf'ly l>ount/ a11cl gaggNl-for your protertlon. 'yuuni,: RcpublicJn "
53 DRUMBEATS John t-1. [rnl.iry
1 he world'> hotte~t men meet here.
73 DRUM
Bill Wa11/\ hunky hero gm·~ ltJ the~ gym.
76 INTERNATIONAL LEATHER SCENE
" Tlicatr<.' Nore\" from leather cnclav~ throughout the Wc}tern
World, plu~ new) on the hollc!>t upcoming event! ..
83 TOUGH SHIT Sit Oil ''· troope-rl
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85 DRUMMEOIA VIDEO
801</, l>r,uen indcpcncl!'nt'> .wem to /)(>the only vidN,makNs who
put imagina11011 lin1. Flip!>idc>: the> wont virl<>o 011 the market. CONIRllllJllH<i UlUOllS Ull\' lowq '11d OialG Mus
90 DRUMMEOIA BOOKS GI•"" A.Jinn 111¥1
l'tCltOCRill'llU!S J11111A<.gl.,, flobt,1 l'luun f•nll.h~ Rell
Meet Anarcnma, 1hc world\ first lr<lfllVf'ltitc private eye. She') a Dot•"· tl•lle• $1u01~ WoUQ.tilQ f.f•Holl d l\)hl VlclOI "'""°""r
M.itlo.1 ~ ....
1111/e like Bog,1rt. " li11le like Bacall ... Al\llSIS 8111 W•rd. Mll>Q,..,, U°"'"l't. C..welo I.kl\
91 ORUMMEDIA FILM OJIUllMUlj UHUU)lllXS DHUMl!tAlS. IJRlllol IOI/Git CUS
lOMtRS OUGH SHll OllU"4MHIA tlAllM H01Ul001(.
Now documcntarm~ 011 two g1.J111\ of film ant.I l11erawrc-Wil/1am S. OfWJIU(A lllillll ro Gllll~S ~Ul.IMIR"1T roR LIEMU£RS
ONlY MAii IOMoVICl.AS..'ilACOS CITllHGCH.ot>llllll'ASS
f:lurrouglh ancJ the /.;w Pic-r Paulo Pd~alini. I"° .,. 'Opylll)lllld M1MS or tltp.t1llncnt1 JllPl!MIM ...
OOllMM!R t;4p)11iJhl 19114 11y M1tnALJI l'lilll11111~
94 IN PASSING
Hc1 (!\ looking c11 you, J..iuy. C•1,.,111tm l'llH 1., M 1111"1'\ll l'1 ~ll~lllM• "" •I.Ion
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