Page 644 - Gay San Francisco: Eyewitness Drummer - Vol. 1

624 Jack Fritscher, Ph.D.
Captions: Eyewitness documentation of the existence of graphics providing
internal evidence supporting Jack Fritscher’s text are located in the Jack Fritscher
and Mark Hemry GLBT History collection. Out of respect for issues of copy-
right, model releases, permissions, and privacy, some graphics are not available
for publication at this time, but can be shown by appointment.

DVD and book cover. In the 1970s, both the films and writing of right-
Eyewitness wing Yukio Mishima and left-wing Pier Paolo Pasolini became required
Illustration viewing and reading in the canon wars over establishing gay art and lit-
erature.

Four DVD covers. After the Prague Spring of 1968, Fascists and Nazis
Eyewitness invaded the popular culture of the 1970s. Franco reigned in Spain; Nixon
Illustration ruled over Watergate; and the Vietnam war did not end until one month
before the first issue of Drummer. Top: Fernando Arrabal’s Viva La
Muerte; Christopher Isherwood’s Berlin Stories morphed into I Am a Camera and Cabaret;
the underground grind-house “guilty pleasure” of Drummer readers was Ilsa: She-Wolf of
the SS.

©Jack Fritscher, Ph.D., All Rights Reserved—posted 05-05-2017
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