Page 356 - Gay Pioneers: How DRUMMER Magazine Shaped Gay Popular Culture 1965-1999

338 Gay Pioneers: How Drummer Shaped Gay Popular Culture 1965-1999

July 24, 1979 (Tuesday): Seeing Drummer in hysterical turmoil, and
figuring Drummer could go out of business, I did not want our exciting
new gay publishing world to lose its foothold because of Embry’s malfea-
sance. On this date I filed a “Fictitious Business Name Statement” with
the County Clerk, San Francisco, for my alternative to Drummer which I
named Man2Man Quarterly. I followed the example of Drummer art direc-
tor Al Shapiro who had filed his own “Fictitious Business” statement for his
“Powerhouse Productions” on May 25, 1978. On November 28, 1979: Al
Shapiro’s name appeared on the masthead of Man2Man as the hyphenated
“man-aging editor.”

July 25, 1979 (Monday): Before and after lunch with Leonard Matlovich,
I spent most of day talking to Golden Gate Distributors because Drummer,
with its “porn” content in the new and escalating right-wing culture war
started by Anita Bryant, could not find a cheap, liberal printer for the next
issue. Making occasional deals with Bay Area printers of religious magazines
eager for a quick buck, Embry often got Drummer printed after midnight by
Christian hypocrites whose presses were otherwise silent from dusk to dawn.

August 1979: No Drummer issue released because of Embry’s absence
and censorship problems with the printer. With lead-times slipping, Al
Shapiro and I continued our talent search for contirbutors while planning
the contents and layout of the next two or three issues refining the new
grass-roots point-of-view of Drummer.

August 3, 1979 (Friday): I asked Embry to pay me nearly $4000 in
back pay and fees. I also asked him to pay my former lover, David Sparrow,
$2000 for the photographs David and I shot partnered together as “Sparrow
Photography” on film stock I had purchased and processed with my cash,
not Drummer cash. When Embry exploded about the money and his illness
and the difficulties with printers and censors as well as with the LA judge
and lawyers still screwing him over the Slave Auction, I gave him notice
that he could pay me and David, or I would be leaving Drummer, effective
on or before December 31. I would no longer be his editor-in-chief. I would
no longer contribute my writing and photography. I did not want to strand
an ailing man or mess up Drummer. So I gave him ample lead time to pre-
pare for my exit. In the next weeks, I gave him all my edited materials and,
because I was a cockeyed optimist, some of my future writing and photos to
be published up through Drummer 33, which was to be my last issue created
as editor-in-chief. During the stretch from August to Christmas 1979 and

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