Page 65 - Australian_How_To_Paint
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DEMONSTRA TION
























                         STEP ONE                                                    STEP TWO

                                                  he view in this painting is from  I like the rough texture of the paper
                  MATERIALS                       the Hawkesbury region, which  surface and I feel it’s great for an
                                            Tis known for its atmospheric      impressionistic style of painting.
             * Artists’ quality Winsor &    and beautiful farmland. I decided to  I laid the paper down on Perspex.
              Newton, M Graham and          infuse the scene with more light than  Starting with the back of the drawing
              Maimeri Blu tube paints:      the photograph and to let the viewer  I soaked the paper with plenty of
              Raw Sienna (M Graham);        see that you can improve a scene with  clean water using a large flat wash
              Indian Yellow, Cerulean       your own impression. I chose to use  brush. I then flipped the paper over
              Blue, Cobalt Blue Deep,       a limited palette because this creates  and soaked the drawing side for a
              Light Red, Sepia (Winsor &    a harmonious painting; and I used  few minutes, before I squeezed out
              Newton); Permanent Violet     transparent artists’ quality pigments.  all the excess water from the paper
              Bluish (Maimeri Blu).                                            with a clean dry bath towel – pushing
             * 4B clutch pencil.                                               my hands over the towel, making
                                                       STEP ONE
             * Clutch pencil sharpener.                                        sure that the paper remained slightly
             * Kneadable eraser.            I commenced by drawing a simplified  damp and cool to the touch.
             * Small Swiss army knife for   version of the scene with a 4B clutch  I paint on a sheet of Perspex because
              scraping back into damp paint.  pencil on a half sheet of Arches  this allows me to paint on damp paper,
             * Tissues.                     Torchon Rough 300gsm – because     which in turn allows me to paint wet-
             * Water spray atomiser.
             * Two large jars of clean water.
             * Arches Watercolour
              Paper – Torchon Rough
              300gsm (half sheet).
             * Clean dry bath towel.
             * Washing up sponge for
              drying brushes after rinsing
              (between applications).
             * Brushes: Art Basics flat (for
              wetting down paper); large
              round Rekab Sable Ester
              Number 12; Roymac round
              Sable Number 12; Rekab
              Sable Number 5; Neef long
              handle rigger Number 6;
              Art Basics stiff synthetic
              bright Number 6 (ideal for
              scrubbing out); fan bristle
              Number 6 (for texture and
              positive space grasses).                                     STEP THREE



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