Page 148 - Composing Processes and Artistic Agency
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Musicological perspectives on composing  137

























































            Figure 4.1 Example of notes from Joanna Wosny’s “some remains”, first system,
                     2014 – © Edition Juliane Klein

            of the flageolet sounds brought about a dominance of the notes d and e
            which, in certain phases, even become central. This was not intended in any
            original plan, but arose during the composing. The composer speaks of her
            subsequent “picking up, reworking and sorting” of the sounds, which cannot
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