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Observing





                                  the

                 Culture
               Meg Wolitzer’s new novel,                                                                    ©nina subin
                  The Female Persuasion,

                 takes on women’s power
                    and determination in
                           the 21st century






                          BY MICHELE FILGATE



                     here are ambitious people, and
                     there are people who define
                     ambition. Meg Wolitzer—
                     whose 10th novel, The Female
        T Persuasion, will be published by
        Riverhead in April—is in the second category. Her
        first novel, Sleepwalking (Random House, 1982),
        was written on a typewriter while she was still an
        undergraduate. (She graduated from Brown uni-
        versity in 1981.)
          A lot has changed since Sleepwalking was pub-
        lished. Back then, “you really could imagine your-
        self with a high collar, sitting in a lidded glass
        window,” Wolitzer says, sitting on the couch in
        her book-filled Upper West Side apartment. “I just
        gave a presentation at the Mount [Edith Wharton’s
        home], and we went on a tour and saw her library.
        There’s a photograph of her with her two dogs on
        her shoulders. They looked like they were a part of
        her clothes. The idea of imagining yourself sitting
        with a pen as the night dies, writing, that whole
        thing has fallen away.”
          What hasn’t vanished, however, is a hunger
        from readers for stories that they can lose themselves in. Wolitzer   entertainment,” Wolitzer says. “They are very, very different.
        writes big, immersive novels (she describes her ideal reading   We all want to write the kind of book that we want to read. If
        experience as wanting to be “marinated in the book”) that tackle   you put in the things that you are thinking about and create
        themes she can’t stop thinking about through compelling char-  characters who feel like they could live—at least for me, that’s
        acters. “Pleasure is a word I think about a lot, as opposed to   the way I want to write.”

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