Page 41 - Eclipse of God
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14 Chapter 2

               a fundamental certainty to thinkers such as Plato and Ploti-
               nus, Descartes and Leibniz, is no longer found in the world
               of Hegel (if we disregard his youthful works, which have a
               completely different orientation). “The spiritual principle, that
               which we call God,” and which “alone is real,” is, by its nature,
               accessible only to reason, not to the whole of man as he lives
               his concrete life. The radical abstraction, with which philos-
               ophizing begins for Hegel, ignores the existential reality of
               the I and of the Thou, together with that of everything else.
               According to Hegel, the absolute— universal reason, the Idea,
               i.e., “God”— uses everything that exists and develops in nature
               and in history, including everything that relates to man, as an
               instrument of its, i.e., God’s, self- realization and perfect self-
               awareness; but God never enters into a living, direct relation to
               us, nor does He vouchsafe us such a relation to Him.
                 At the same time, however, Hegel takes a peculiarly ambiv-
               alent attitude toward Spinoza’s amor Dei. “The life of God and
               of the divine element,” he says, “might be described as love in
               love with itself ” (“ein Spielen der Liebe mit sich selbst”). But he
               adds at once, “This idea degenerates to mere edification and
               even insipidity if it does not include the seriousness, the pain,
               the patience, and the labour of the negative.” For Hegel, it fol-
               lows from this quite correct insight (which, it is true, does not
               at all apply to Spinoza’s thought) that God Himself must be
               drawn into the dialectical process, in which negations emerge
               in order to be transcended. But thereby the concrete encounter
               between God and the contradiction, as it is documented with
               human existence, personal and historical, is relegated to the
               domain of fiction. The substance which, from among the infin-
               ity of its attributes, reveals to us only two, nature and spirit, and
               yet lets its infinite love shine in our finite love, here becomes
               the subject of an absolute process encompassing nature and
               spirit, which in this very process “achieves its truth, its con-
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