Page 37 - Amateur Photographer - August 5, 2017
P. 37

YOUR PICTURES



    Adding a split                                                                                    AFTER
    colour tone

    I PARTICULARLY liked Gary Telford’s shot of a
    trio of punks sitting on a bench drinking cans of
    lager. It is as if time has stood still the past 40
    years for these guys, even though the ageing
    process clearly hasn’t. It is a great documentary
    photograph and my aim was to stay true to
    the original. To strengthen the composition, I
    cropped out the distracting elements on the left
    and right of the frame and opted for a square
    crop, making full use of the empty space of the
    brick wall backdrop. This photograph would
    have worked really well as a black & white
    image. However, I chose to keep it in colour and
    used the Split Toning panel to add a green/blue
    colour wash, which muted the colours slightly.

     BEFORE
































    1 Apply Basic                      2 Add localised                    3 Add a Split
    panel adjustment                   adjustments                        Toning colour eff ect
    In the Basic panel I applied a lightening Exposure   I then selected the Radial Filter tool and added   In this step I first went to the HSL panel and selected the
    adjustment combined with an added Contrast and   a negative Exposure adjustment that darkened the   Saturation tab. I then selected the Target Adjustment
    lightening Shadows adjustment. In the Presence   outer areas and adjusted the Radial Filter Feather   tool and dragged upwards on the brick wall to boost
    section I added more Clarity and boosted the Vibrance.  slider to soften the boundary edge. I also selected   the saturation of the red and orange colours. Finally,
    I then selected the Crop tool to crop out the bench on   the Graduated Filter tool and added a darkening   I went to the Split Toning panel, where I added a green
    the left and the rubbish bin on the right.  adjustment to the bottom-right corner.  tint to the highlights and a blue tint to the shadows.

                                                                                               Submit
      Smart Objects                itself. Photoshop users may already be   image as a raw master with the   your images
                                   image data within the Smart Object
                                                                layers, thereby preserving the source
                                   aware of how you can convert a layer   Camera Raw adjustments you applied.   Please see the ‘Send
      SMART Objects can be used to place   to a Smart Object and add fi lter   As you continue to edit the image in   us your pictures’
      an image layer, or a group of layers,   adjustments or regular image   Photoshop you can at any point   section on page 3
      within a single container that can then   adjustments that are then re-editable.   double-click to open the Smart Object   for details or visit
      be edited as if it were a regular layer,   Camera Raw also allows you to open   layer and re-edit the Camera Raw   www.amateur
      while preserving the full resolution   edited raw images as Smart Object   settings.     photographer.co.uk


    Martin Evening is a noted expert in both photography and digital imaging. He is well known in London for his fashion and beauty work, for which he has won several awards. Martin has worked
    with the Adobe Photoshop and Adobe Lightroom engineering teams over many years and is one of the founding members of a software design company. Visit www.martinevening.com

    subscribe 0330 333 1113 I www.amateurphotographer.co.uk I 5 August 2017                               37
   32   33   34   35   36   37   38   39   40   41   42