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Page 14        The Antique Shoppe       March, 2019
                                                                                    Some,  like  Julie  London,  had  plenty  of  talent  to  go  with  the  good  looks.
                    “SMACK DAB IN THE MIDDLE”                                     Although possessing what she described as “a thimbleful of a voice”, London’s
                                                                                  intimate vocalizations proved ideal for the recording studio. Adding to the allure:
                     Design Trends of the Mid-20th Century                        her abundant red hair and languid good looks, photographed to maximum effect.
                                                                                    When the time came to roll up the rug for a bit of pre-“Twist” dancing, old
                                                                                  favorites  like  “The  Three  Suns”  (“Mamie  Eisenhower’s  favorite  recording
          By Donald-Brian Johnson                                                 group”),  and  “Lawrence  Welk And  His  Champagne  Music”,  (“whether  your

          This Month’s Feature—                                                   party is for two dozen or simply two”), were just a platter-drop away. Album
                                                                                  covers often featured exuberant partygoers, dressed to the nines. For the men,
                            “IT’S PARTY TIME!                                     skinny ties and elegantly tailored suits. For the ladies, cocktail dresses, beehive

                 RETRO-COOL RECORD ALBUMS”                                        hairdos, and sparkling jewelry. At bachelor pad parties, the guests put in an effort.
                                                                                                               “Party records” got the guys and gals talking.
                                                                                                             Sophisticates reveled in the self-effacing stammer
           The  lights are low.  The  shag carpet’s lush.
        The gleam from a crackling fireplace reflects off                                                    of  rising  young  comic,  Bob  Newhart,  and  his
        leather  sofas and burnished wood.  The drinks                                                       “button-down mind”. A lot further down the good
        are cold, and the hi-fi’s humming. It’s the early                                                    taste scale was Rusty Warren, whose racy songs
        1960s, and the “bachelor pad” beckons.                                                               and  blush-inducing  comedy  routines  elicited
           If  you  were  a  fan  of  that  late,  lamented TV                                               plenty of nervous giggles.
        phenom,  Mad Men, the  scene  will  strike  a                                                          “Specialty” albums, pulled out for their oh-my-
        resonant chord. The series spent most of its time                                                    gosh entertainment value, included Yma Sumac
        exploring  the  angst-ridden  lives  of ‘60s-era  ad                                                 “the voice of the Xtabay”. Yma’s voice ranged
        industry personnel. But it was the picture-perfect                                                   from  a  husky  baritone  to  a  twittering  birdlike
        stylistic recreations that were the real attention-                                                  soprano. Although billed as “a descendant of the
        grabbers.                                                                                            last of the Incan kings”, who “spent her childhood
           The 1960s were a far different time, with far                                                     talking  with the birds, the  beasts, the  winds”,
        different interpretations of the roles of men and                                                    there were doubters. Was Yma really just quirky-
        women. The bachelor pad was where the single-                                                        voiced Brooklyn housewife Amy Camus? (That’s
        young-man-on-the-move  could  indulge  his                                                           “Yma  Sumac”  spelled  backwards.)  It  made  for
        cosmopolitan interests, before being subdued by                                                      interesting party chatter.
        suburbia. (The “bachelor  girl pad” had to wait                                                        Bachelor  pad  record  albums  serve  as
        another decade, until Mary Tyler Moore tossed                                                        audiovisual  time  capsules of their  era.  We can
        her hat into the air.)                         The pinup goes highbrow: Jayne Mansfield’s “classical” release   once more Sing Along With Mitch. . .croon along
           The  pad  reflected  the  owner’s  taste  in  art   of the early 60s. Shakespeare, Tchaikovsky & Me. $30-35.  with Frank, Nat, Dean, and Sammy. . . and join
        and   furnishings.   Necessary                                                                                        in as “Granny” leads a rousing
        accouterments    for    suave                                                                                         rendition  of  “Vittles”  on The
        entertaining  included  touch-                                                                                        Beverly Hillbillies Sing. (Yes,
        of-a-button  mood    lighting,                                     “As ear-appealing                                  they really made an album.)
        whopping glass or ceramic                                               as she is an                                    It’s easy to chuckle over
        ashtrays,  a  well-stocked  bar...                                         eyeful”.                                   what now seems camp, but
        and,  most  importantly,  just  the                                      Abbe Lane                                    during the Mad Men days,
        right records.                                                    wth Xavier Cugat’s                                  these records were what
           An eclectic  assortment was                                           Orchestra.                                   America was buying, They
        available  “for  your  listening,                                           $5-10.                                    accurately reflect the tastes
        dancing,    and    romancing                                                                                          and trends of the times. So
        pleasure”.  There  were  jazz                                                                                         why not pick up one of these
        greats, crooners, and songbirds;                                                                                      “60s soundbite souvenirs”,
        “easy  listening”  albums,  the       “There’s a
        perfect counterpoint to clinking   swinging side to Nat”                                  “The girl with the          and give it a spin? You’ll be
        glasses and tinkling conversation;   Welcome To The Club,                                 ‘come-hither’ voice”.    on your way to outfitting that
        “exotica”,  capitalizing  on  the   a jazz-influenced, big-band-                          Julie London’s first album,  bachelor (or bachelor girl) pad.
        popularity  of  faraway  places;   backed released by Nat                                  Julie Is Her Name,      Cool!
                                                                                                  produced by hubby
        “party  records”...  and,  that  “King” Cole, one of the most                             Bobby Troup.
        only-of-its-time jawdropper, the   popular crooners of the                                $20-25.                  •Album cover restoration by Hank Kuhlmann
        “cheesecake album”.                 1950s and ‘60s.                                                                •Caption quotations are from the original
                                                                                                                           album liner notes.
           Whether a sultry “cheesecake”        $5-10.
        songstress  actually  possessed                                                                                Donald-Brian Johnson is the co-author of numerous
        any vocal abilities was beside the                                                                             books on design and collectibles, including “Postwar
        point. Mamie Van Doren, Sophia Loren,                                                                            Pop”, a collection of his columns.
        and Diana Dors all cut albums; none are                                                                            He admits to owning Jayne Mansfield’s
        particularly well-remembered for their                                                                             “classical” album.  Please address inquiries
                                                                                                                           to: donaldbrian@msn.com
        singing  skills.  Jayne  Mansfield  even
        turned out  Shakespeare, Tchaikovsky
        & Me, breathlessly reciting poetry over
        the strains of classical music.

                         The “artful brilliance” of                                                                  Sammy Davis, Jr. and fellow song
               Polly Bergen, put to good use on The                                                                  stylist Carmen McRae swing their way
                  Party’s Over, a collection of torch                                                                through the score of Porgy and Bess,
                                   tunes. $3-5.                                                                      the classic Gershwin/Heyward show.
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