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Deb, and  allowed  her to mix one or two of them up to end  up with asking if the young
               couple would  have their baby safely.  The story was now decided, the characters modified

               and the writing now to begin.

                       The world of the play was set up as the  B13 and  B14 housing estates and a group of
               the people that lived there.  It was quite simple to create this world -  I  live in it -  but I think

                it could  have been a touch  more difficult for some of the others who only had stories and TV

               to go on.  Having said that, it was quite a good thing that people were writing for people

               who just happened to live on an estate rather than  residents who were resigned to that life.

               The play needed that sense of hope.  With the story concerning itself with six members of
               these estates and trying to work through the problems they face there,  it was important for

                me to see the world  made as difficult and fraught with red tape as I  know it to be.  There

               was an air of hopelessness in each scene we wrote, a sense of knowing how hard each thing
               was.




                              'After all, different kinds of characterisation suggest different

                              worlds, and  nothing is more irritating for an audience than

                              not knowing which world  it's supposed to be in.'
                                                           (S Gooch, 1988,  p63)




                       It was clear that the play was set on an estate through the dialogue but, reading the
               script back, I cannot be certain that the audience would  have immediately picked that up

               without any markers in the dialogue.  The six of us, as the dramatists,  knew the world we

               were creating and  performing in though how it would appear to everyone else seem to be a

               slight afterthought.  However, we were writing the play and  part of any production writing is
               to consider the visual experience.  Drama writing is difficult in this way because you do not

                have a film-makers hours to dress any set convincingly -  you  have seconds to find the key

               signals that tell  people what world they have stumbled  into.  A street sign on the estate, a

               few fallen leaves in the park.  Given  more time, we would  have no doubt identified these
                items and  incorporated them into the  play.

                       The world we showed gave rise to some very natural conflicts between characters.

               The tension between Cath and  Dennis who had once had an affair,  Kirstie trying to convince

               Shane that he  is the father of her child and  Shane and  Deano losing their friendship because
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