Page 8 - Mapping the Holodomor Complex
P. 8

Chapter 1 INTRODUCTION




                      “This provocative outcry about genocide ... has been elevated to the top government level in contemporary
                      Ukraine. Does this mean that they have even outdone the Bolshevik propaganda mongers with their rakish
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                      juggling?” Solzhenitsyn  asked.
                      He added that “western people” - unlike Russians - had had little exposure to “monstrous lies”, and were
                      therefore more willing to believe historical errors. “They have never really got into our history. All they
                      need is a loony fable,” he wrote. (Harding 2008)



               The above citations  originate  from an article published in  The Guardian  in 2008 by  Luke

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               Harding, which includes comments  from the famous Soviet dissident, novelist, and historian
               Alexander Solzhenitsyn on George W. Bush attendance in 2008 to a commemoration in Kiev

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               of the victims of the Holodomor.  This context and Solzhenitsyn’s statements will serve as an
               entry point and prism for this study as it perfectly captures one side of the debate on whether
               the famine constitutes genocide or not. More importantly, it illustrates how the words of an

               authority can be instrumentalized to shape public views of historical events. However, my main

               task will not be to ponder the question of genocide in relation to the famine, but instead look at
               its constructed images in various media. Furthermore, I look at the construction of the fascist

               image of western Ukraine in memory narratives because this image can be seen as the negative
               to that of the image of Ukrainians as victims of a “hidden Holocaust.” The image as victims of

               foreign state terror and the mirror image as Nazi collaborators are important tools in what can
               be termed as a memory war between Ukraine and Russia that has only escalated since the

               Euromaidan  revolution  in  Ukraine  in  2014.  Since  the  Orange  Revolution  the  Holodomor

               narrative  has  been  reconstructed  in  museums,  monuments  and  even  in  a  western  film
               production. While Russia has been producing many big-budget films depicting the glorious

               battles  and  sacrifices  in  the  Second  World  War  in  the last  decade,  we  now  see  Ukrainian
               national film production starting to pump out their own depictions of their national heroes and

               even more importantly that of the nation’s victimhood.





               1  A short note on transliteration of Russian and Ukrainain names: I have used the more simplified version of the
               names. For example, Plokhy instead of Plokhii.
               2   The  original  article  by  Solzhenitsyn  is  titled  ‘Swallowing  Shameless  Lies’  and  found  at:
               https://www.theguardian.com/commentisfree/2008/apr/03/swallowingshamelesslies
               3  The Holodomor was a famine that struck Ukrainian SSR and other parts of the Soviet Union during the years of
               1932 to 1933 claiming millions of dead in its wake.

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