Page 379 - Uros Todorovic Byzantine Painting Contemporary Eyes

Ainalov, Dmitri Vlasevich. The Hellenistic Origins of Byzantine Art. Translated by Elizabeth Sobolevich and Serge Sobolevich. Edited by Cyril Mango. New Brunswick: Rutgers University Press, 1961.
Ainsworth, Maryan W. “‘À la façon grecque’: The Encounter of Northern Renaissance Artists with Byzantine Icons.” In Byzantium: Faith and Power (1261–1557), edited by Helen C. Evans. New Haven: Yale University Press, 2004.
Alfeyev, Hilarion. St. Symeon the New Theologian and Orthodox Tradition. Oxford: Oxford University Press, 2000.
Alpatov, Mikhail Vladimirovich. Andrei Rublev. Moscow: Izobrazitelnoye Iskusstvo Publishers, 1972.
Alpatov, Mikhail Vladimirovich. “Iskusstvo Feofana Greka i uchenie isikhastov.” Vizantiyskiy Vremennik 33 (1972): 190–202.
URL: http://www.vremennik.biz/opus/ BB/33/52152
Alpatov, Mikhail Vladimirovich. Theophanes the Greek. Moscow: Izobrazitelnoye Iskusstvo Publishers, 1990.
Andersen, Troels, ed., K.S. Malevich: Essays on Art 1915–1933. Translated by Xenia Glowacki- Prus and Arnold McMillin. Two Volumes. London: Rapp and Whiting, 1969.
Andreopoulos Andreas. Metamorphosis: The Transfiguration in Byzantine Theology and Iconography. Crestwood: St. Vladimir’s Seminary Press, 2005.
Aristotle. Aristotle XVIII Metaphysics X–XIV. Translated by Hugh Tredennick and George Cyril Armstrong. Cambridge, Massachusetts: Harvard University Press, 1977.
Aristotle. Aristotle XVII Metaphysics I–IX. Translated by Hugh Tredennick and George Cyril Armstrong. Cambridge, Massachusetts: Harvard University Press, 1980.
Aristotle. Aristotle’s Poetics. Translated by James Hutton. New York: W.W. Norton & Company, 1982.
Arnheim, Rudolf. The Power of the Center: A Study of Composition in the Visual Arts. The New Version. Berkeley: University of California Press, 1988.
Ashmole, Bernard. “Some Nameless Sculptors of the Fifth Century B.C.” Proceedings of the
Bibliography
377