Page 380 - Uros Todorovic Byzantine Painting Contemporary Eyes
P. 380

British Academy XLVIII, Oxford University Press, London, (1962): 211–233.
Ashton, Dore. “The Rothko Chapel in Huston.” Studio International 181, no.934 (June 1971): 273–275.
Baal-Teshuva, Jacob. Rothko. Taschen, 2003. Babić, Gordana. Kraljeva Crkva u Studenici.
Beograd: Prosveta, 1987.
Baggley, John. Doors of Perception: Icons and their Spiritual Significance. Crestwood: St. Vladimir’s Seminary Press, 1988.
Barasch, Moshe. Theories of Art: From Plato to Winckelmann. New York: New York University Press, 1985.
Barasch, Moshe. Icon: Studies in the History of an Idea. New York: New York University Press, 1992.
Barasch, Moshe. The Language of Art: Studies in Interpretation. New York: New York University Press, 1997.
Barasch, Moshe. Blindness: The History of a Mental Image of Western Thought. New York: Routledge, 2001.
Barber, Charles. Figure and Likeness. On the Limits of Representation in Byzantine Iconoclasm. Princeton: Princeton University Press, 2002.
Barker, Ernest. Social and Political Thought in Byzantium from Justinian I to the Last Palaeologus. Oxford: Oxford University Press, 1957.
Barker, Evelyn M. Aristotle’s Reform of Paideia. URL: https://www.bu.edu/wcp/Papers/Anci/ AnciBark.htm
Baxandall, Michael. Painting and Experience in Fifteenth-Century Italy. Oxford: Oxford University Press, 1988.
Beardsley, Monroe C. Aesthetics: Problems in the Philosophy of Criticism. Indianapolis: Hackett Publishing, 1981.
Becks-Malorny, Ulrike. Kandinsky. Taschen, 2007.
Beckwith, John. The Art of Constantinople. London: Phaidon Press, 1961.
Belting, Hans. Likeness and Presence: A History of the Image before the Era of Art. Translated by Edmund Jephcott. Chicago: University of Chicago Press, 1994.
Besançon, Alain. The Forbidden Image: An Intellectual History of Iconoclasm. Translated by Jane Marie Todd. Chicago: University of Chicago Press, 2000.
Bettini, Sergio. La pittura bizantina. Florence: NEMI (Novissima Enciclopedia Monografica Illustrata), 1938.
Birnholz, Alan C. “On the Meaning of Kazimir Malevich’s ‘White on White.’” Art International 21 (January, 1977): 9–16, 55.
Blanc, Charles. The Grammar of Painting and Engraving (Grammaire des Arts du Dessin). Cambridge: The Riverside Press, 1874.
Bluemel, Carl. Greek Sculptors at Work. Phaidon Press, 1955.
Bogdanović, Dimitrije, Vojislav Djurić and Dejan Medaković. Chilandar: On the Holy Mountain. Belgrade: Jugoslovenska Revija, 1978.
Byzantine Painting through Contemporary Eyes
378










































































   378   379   380   381   382